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The article discusses technological development in theatrical techniques. As the theater is an intensely practical art form, practitioners should quickly incorporate any new technology that becomes available and adapt it to serve their artistic intent. The coexistence of new technology and traditional skills challenges those who are training the next generation of technicians and craftspeople. However, despite the abundance of new technology, the most important things to teach has not changed. Whatever the budget and tools, the business in the theater is about creativity, collaboration and people.

An interview with Chris Wheeler, the electronics technologist of the Stratford Festival theatrical organization, is presented. Wheeler was asked on his educational and career background. He was also made to reveal whether he experienced a significant cultural shock in adapting to a theater culture. He also elaborated on his job, which had mostly to do with wiring up the props and the battery powered stage settings.

Investigates the discourses of theatrical lighting design, training and practice in Canada. Texts used in the teaching of design; Racial or cultural difference consideration in the discussion of lighting; Industrial and educational model for the theater.

Focuses on the concept of scenography in Canadian theater. Role of playwrights in the design and directing choices made for the production; Description of a Renaissance-inspired stage design; Artistic responsibility of scenographers in a theatrical production; Contributions of scenographers to the definition and appreciation of theater.

Interviews stage lighting designer Jim Plaxton regarding his work. Background on his job in an architectural firm; Information on his involvement in theatre; Special lighting instruments used by Plaxton.

Deals with the set design for the production of the play "The History of the Village of the Small Huts," written by Michael Hollingsworth. Set designers involved; Information on the lighting design by Jim Plaxton; Manifestations of the presence of technology.

Deals with the various aspects of scenography. Origin of the word scenography; Factors to consider with regards to audiences; Discussion of lights used in theatre.

Focuses on the development of lighting design in Canadian theaters. Factors that control lighting design; Introduction of electric light to theater; Types of systems and theatrical styles that theater designers use.

Focuses on the scenography of set designer Hillar Liitoja. Description of his lighting design; Types of music used in his design; Manifestations of the childish aspect of his scenography.