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Background: The aim of this work was to study the Altar Machine in the Church Mother of Gangi, a little town near Palermo (Italy) regarding the history, the technical manufacture, the constitutive materials and the state of preservation. The Altar Machine was dated back to the second half of the 18th century; it is constituted by carved and painted wood, a complex system of winch and pulleys allows move various statues and parts of the Machine in accordance with the baroque scenography machineries. Results: The observation and survey of the mechanisms allowed formulate hypothesis on a more ancient mode of operation of the Altar Machine. Laboratory analysis revealed the presence of many superimposed layers constituted by several different materials (protein binders, siccative oils, natural terpene resins, shellac, calcium carbonate, gypsum, lead white, brass, zinc white, iron oxides) and different wood species employed for the original and restoration elements of the Machine. This is due to a continuous usage of the object that has got a demo-ethno-anthropological significance. Microclimate monitoring (relative humidity RH and temperature T) put in evidence that most of the data fall outside the tolerance intervals, i.e. the RH and T limits defined by the international standards. In particular, T values were generally high (out of the tolerance range) but they appeared to be quite constant; on the other hand RH values fell almost always inside the tolerance area but they often exhibited dangerous variations. Conclusions: The characterization of the constitutive materials provided useful information both to support the dating of the Machine proposed by the inscription and to obtain a base of data for a possible conservation work. The microclimate monitoring put in evidence that the temperature and relative humidity values are not alwayss uitable to correctly preserve the artefact. The careful in situ investigation confirmed an on-going climate induced damage to the Altar Machine that, associated to the deterioration caused by its usage, may have dramatic consequences on this unique and peculiar work of art. The results of this work will have potential implications in the near future regarding a probable conservation project on the Machine. [ABSTRACT FROM AUTHOR]