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The article herein presents the results of a research study focused on the evolution of reportage in the Spanish press over a span of four decades. This is the first longitudinal study covering such an extensive period (1982-2018) with regard to this narrative journalistic genre, through publications in La Vanguardia and ABC, the two oldest national newspapers in Spain. The aim of the study is to discover how the genre has evolved in recent decades, in terms of authorship, length, section in which it is published, headlines, visual and complementary elements, and the degree of hybridisation with other journalistic genres. Based on a quantitative and qualitative methodology, a sample was analysed using the constructed week sampling technique (N=346 issues). The results obtained show an increase in the amount and general length of the reports published from the year 2000 onward, as well as a tendency toward hybridisation with genres such as the crónica and the news report. However, there is no evidence of a commitment to narrative aspects. The increase in pagination has been fostered by the incorporation of visual and design elements, while the Society section continues to have the highest share of reportage pieces. Most of the reportage items analysed were bylined by one person, who were predominantly men, which suggests a gender gap in the authorship of prestigious journalistic genres. [ABSTRACT FROM AUTHOR]

This article presents an analysis of the main discourses that appear in a sample of Spanish newspapers before and after the arrival of the Aquarius at the port of Valencia in June 2018, in order to observe if there is a solidarity discourse or one that rejects the arrival of the rescued immigrants in Spain. The corpus consists of all the news published from June 10 to July 10, 2018 in the electronic version of the Spanish newspapers ABC, El Mundo, El País and La Vanguardia. The methodology is mainly qualitative-descriptive. Critical discourse analysis (CDA) was chosen to observe the main linguistic characteristics of the collected news items and the topics that appear in the articles. The analysis shows that the testimonies of politicians and members of non-governmental organizations (NGOs) predominate, but there are few testimonies of immigrants. The solidarity and acceptance of Spain are strengthened, as well as the defense of human rights. This contrasts with the discourses that the press presents after the arrival of the ship in Valencia. A discourse related to the health of immigrants and their need for help and resources predominates, a fact that contributes to the alarm of the majority group. [ABSTRACT FROM AUTHOR]

This paper examines the compliance of Spanish crime reporting with the principles of the 2016 EU Directive on presumption of innocence, which aims at preventing the publication of information that might bias the public and the jurors against the suspect. A content analysis applied to a sample of 200 crime news stories published by eleven of the most popular print and online news platforms in 2018 reveals that the Spanish press coverage of crime is centered around the pre-trial and sentence stages, with little attention to the oral trial. The full name and the face portrait of the suspect appear in roughly one-third of the stories, but this overwhelmingly happens in news stories reporting on the court's decision, so that the presumption of innocence is generally protected. Interestingly, the legacy media are more likely to report on the victim's full name and the crime details that online digital media. One-fourth of the stories include accusations of guilt, as prosecutor attorneys and other officials are more frequently cited than defense lawyers. Although the Spanish press is largely compliant with the recommendations of the EU Directive, the lack of attention to the oral phase, where the arguments of both parts are deployed and contrasted, leads to a bias in the coverage against the suspect. [ABSTRACT FROM AUTHOR]

The media help to construct the visual and iconographic imagery of economic power in the dialectical tension between what they show and what they leave out of view. Images such as unemployment queues, graphs, and portraits of the powerful appear assiduously on the front pages of the press, revealing different visual motifs essential to understanding the narrative of the economy, with its inheritances, mutations and hierarchies, which point to its relationship with other spheres of power such as the monarchy or politics. This article attempts to decipher the codes of visual representation of the economic sphere in Spain through the qualitative analysis of front-page photographs published in El País, El Mundo and La Vanguardia from 2011 to 2013, a period marked by the banking and financial crisis, civil protests, or the judicial prosecution of figures such as Rodrigo Rato. The methodology used combines visual analysis and comparative iconography with theoretical foundations of social semiotics and visual communication, as well as interviews with photojournalists and chiefs of staff. Finally, the results conclude that both economic leaders and the media codify their photographs using specific visual motifs to project a distant and proactive image of the banking elite, which is only disrupted when previously revered figures of the economic elite fall from grace in corruption cases. And also, that in the dialectic of the visible and the invisible of economic power there are hidden historical moments that can never be photographed. [ABSTRACT FROM AUTHOR]

This study analyzes the ways in which the Basque diaspora community in the United States consumes news media from their home origin. Using survey data collected from over 400 Basque- Americans with varying generations (first, second, third, etc.), we explore the ways in which surveyed individuals consume media from their ancestral territory of origin, in this case, the Basque Country of Spain and France. This research is exploratory and descriptive of the media habits and behavior of individuals with Basque origins. We find that significant shifts in media consumption occur between first generation immigrants and those beyond the second generation. As we move across generations, we observe that individuals shift from engagement with home-origin media to engagement with Basque cultural activities, such as dancing clubs. Our study suggests that the importance of digital media from the homeland is growing, but that most consumption of information by the Basque diaspora is through social networks. Our findings also suggest that, among those who continue to consume home-origin media, it is mainly through readership of national newspapers (in this case, from Spain) rather than local newspapers (from the Basque Country). This article enriches our understanding of the media habits of the Basque diaspora and raises questions for future research about the effect of transnational media consumption on the political, social and economic behavior of immigrants in the United States. [ABSTRACT FROM AUTHOR]