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What is a border? Who is a migrant? The paper uses these questions to distinguish between constructivist, Marxist and postcolonial answers provided by critical border scholarship, with three aims. First, identifying common concerns and interrogating divergent trajectories, the paper offers a practical invitation to dialogue between these various positions. Second, it evidences how critical border scholarship follows a social-to-spatial analytical trajectory to answer these questions: borders and migration function as a spatial confirmation of a pre-defined ontology of the social. As this is deemed unsatisfactory, third, the paper proposes turning this analytical trajectory on its head by going back to borders, i.e. by studying the spatial manifestations of borders and migration to investigate how the social is heterogeneously configured in place-specific and embodied settings. The paper argues that what is left after these debates is the need to focus on actual social hierarchies, as opposed to epistemological ones. [ABSTRACT FROM AUTHOR]

The sociological study of popular cinema provides an analytic entry point for exploring how economic realities are given meaning through cultural products. In this paper, I compare how two Hollywood movies about bike messengers, Quicksilver and Premium Rush, position their main characters in relationship to the new economy. Both films provide commentaries on work and social class, but, as products of unique socio-historical periods, I argue that their commentaries differ significantly. Produced in the 1980s, Quicksilver uses messengering as a form of middle-class redemption, allowing the protagonist to return to the world of capitalist finance. By contrast, as a product of the Great Recession, Premium Rush offers a utopian vision of self-determination for low-wage service workers at the same time that it reifies the uncertainty, unpredictability, and riskiness that increasingly characterize American labor. I also show that both films converge in their portrayal of women and working-class blacks. [ABSTRACT FROM AUTHOR]

Much recent academic work on making sense of the changing public profile of the Muslim community in Britain operates within an explanatory framework that assumes a shift from ethnicity to religion and an accompanying shift from racialization to Islamophobia. A key limitation of this work, often grounded in media representations, is that it tends to be disconnected from contemporary lived social relations. In response, this paper critically engages with these debates, drawing upon qualitative research that explores a changing cultural condition that is inhabited by British born, working-class Pakistani and Bangladeshi young men. It is argued that this emergent cultural condition cannot conceptually be contained within a singular category of religion as the contours of the young men’s cultural condition are embedded within a range of intensified and ambivalent rapidly shifting local, national and international geo-political processes. Therefore in contrast to recent theorizing and research on Muslim communities and identities, the young men in this study critically engage with the contextually-based local meanings of Muslim, Islamophobia and racialization to secure complex masculine subjectivities. Alongside this, the article highlights that young men recognize that Islamophobia, displacing a notion of racialization, is a danger for their community because of the attendant invisibility of the current impact of social class within conditions of socio-economic austerity, which for them is a central element of their social and cultural exclusions. [ABSTRACT FROM AUTHOR]

This article looks into urban Chinese working-class leisure culture through a case study of the transformed Workers’ Cultural Palace in Zhengzhou in Henan province. Making timely and engaging contribution to the discussion on changing working-class subjectivities in post-Mao China, the author investigates Zhengzhou workers’ cultural and communicative activities, including songs, dramas and political discussions in an urban space. The case study provides hints of a re-politicized space which constitutes a public sphere, attended by the working class, of free discussion on class inequalities and related issues. In the emergent public sphere inhabited by urban workers, class consciousness is nurtured as distinct from the Chinese middle class. The findings point to contested public spheres in China’s increasingly class-divided society and the return of class politics at the bottom rungs, taking issue with seemingly conventional wisdom purporting to declare the end of class in practical Chinese politics and scholarly Chinese studies. [ABSTRACT FROM AUTHOR]

When theorizing differences in action between structurally unequal groups, sociologists often disagree over the roles that structure, culture, and resources play. It is not uncommon for debates to arise in which structural explanations for unequal outcomes are pitted against cultural ones, with the former pointing to group resource disparities and the latter emphasizing differences in how groups think and do things. In this article, we develop a theoretical approach that conceptualizes culture as an element of social structure and draws on Sewell's multiplicity of structures and Bourdieu's habitus to theorize group differences in action as structural. This approach, we argue, advances a structural sociology of stratification that helps counter the tendency for U.S. individualism to promote interpretations of group differences/disparities as having individual-level rather than structural-level sources. [ABSTRACT FROM AUTHOR]

Culture has increasingly been analyzed ironically in relation to social conflict, emphasizing themes of ideology, co-optation, and complicity in reproducing inequalities. Arguably the most sophisticated ironic cultural critique is provided by Bourdieu. Bourdieu's critique is often criticized for reductionism, but without pursuing what is neglected by ironic reductionism. Nietzsche provides a remarkable counterpoint, offering both seminal resources for modern social criticism, and profound reflections on culture's potential to affirm life with integrity and authenticity. Nietzsche's analysis of classical Greek tragedy suggests how culture can collectively affirm life through art without illusions. The relative emphases and insights of these two critics are contrasted here in relation to the cultural phenomenon of hip-hop, addressing latent ideological baggage but also its social activism and tragic-realist aesthetic. Grounded in this discussion of hip-hop as predictably compromised, but also incisively defiant and painfully honest, a challenge is posed for cultural analysis to be critical without being dismissive of existential and aesthetic questions, or blind to the potentials of popular culture. Culture is neither as derivative as much social criticism would suggest, nor as autonomous as many artists and art critics would suggest. Cultural studies therefore must find a middle way, navigating between cynicism and naiveté. [ABSTRACT FROM AUTHOR]

This article asks two questions: for immigrants, how is an exploitative labor market constituted, and how do immigrant employees and employers understand exploitation involving co-ethnics? Taking ethnic Chinese immigrants (PRC-Chinese, Taiwanese, Hong Kongese) as an example, this article examines employer hiring strategies, employee economic rationales, cultural perceptions, and the work experiences of ethnic Chinese migrant workers who find work in the informal sector in Australia. This article argues that language barriers, relatively higher earnings than home countries, the flexibility of cash-in-hand jobs, and the low expectation that job-seekers have of co-ethnic employers increase the willingness of ethnic Chinese migrants to work in the cash economy. On the other hand, employers look for an 'obedient' employee and create the image of a 'good boss' to decrease the expression of hostile emotions from their employees. Considering how economic factors and mutual cultural perceptions are embedded and reflected in the informal labor market, this article concludes that co-ethnic exploitation is formulated and justified by both employers and employees in Australia. [ABSTRACT FROM AUTHOR]

This article reports on an ethnographic study of the process by which a young man became a drug dealer in a in a small northeastern US city. Drug dealing was the principal occupation in his predominantly black neighborhood. This process is treated as an initiation into a criminal career that involved not only the mastery of specific steps of drug dealing but also learning the expectations of the local interaction order framing the space where he lives. Approached in this way, one young man’s story offers a window into the local interaction order of a drug-dealing space: a set of local social practices that must be routinely mastered in the area where he grew up. The pervasiveness of drug-dealing practices in the local interaction order offers valuable insight into how and why male youth in this locale would enter the drug trade and are at considerable risk of arrest. [ABSTRACT FROM AUTHOR]

This essay brings together ‘commodity chain’ analysis with some of the central concerns motivating studies of consumption and consumer culture. It argues that we can, from the perspective of capitalist agents and agencies, discern important historical shifts in the economic significance of the various activities that generate modern consumer culture, or ‘consumer cultural production’. Shifts in both the nature and intensity of competitive pressures imply different roles for consumer cultural production within the portfolios and strategies of leading capitalist organizations over time. Thus, the essay provides a framework for periodizing and linking historical shifts in the organization of commodity chains in relation to transformations in the structure and nature of consumer cultural production over roughly the past century. More concretely, it connects the broad shift from commodity chains organized along a ‘producer-driven’ form to the ‘buyer-driven’ arrangement to different kinds of ‘market making’ through consumer cultural production. [ABSTRACT FROM AUTHOR]

Using critical and interactionist perspectives, sociology can improve students' understanding of collective violence. This article presents a conceptual tool for teaching about this topic. The tool is a taxonomy of ideas about security, threat, conflict, peace and justice. The bottom level of the taxonomy consists of foundational paradigms (values and assumptions). The second, more detailed, level consists of ideologies — left, center, and right. The top, most detailed, level contains two discourses, the dominant “war on terrorism” discourse, and the less influential “capitalist crisis” discourse. The war on terrorism discourse is shared by the political right and center. It identifies terrorists or criminals as the main sources of violence. The capitalist crisis discourse represents the left in foreign policy debate, and views collective violence as responses, however, indirect, to structural violence, i.e., exploitation and repression. To suggest ways this taxonomy can be used, this article offers a cursory discussion of media discourse and public opinion, illustrating the role of some of these ideas in US political culture. In addition to helping students understand both discourses, sociologists should share the “capitalist crisis” view with the public because it is the best for understanding collective violence and its resolution. [ABSTRACT FROM PUBLISHER]