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Bibliometric study on the production and use of information in scientific papers presented at the Journalism Reseach Group in Intercom XXX Brazilian Congress of Communication Sciences in 2007; SBPJor - Fourth National Encounter of Researchers in Journalism (2006), and Compos- XVI Annual Encounter in 2007. The corpus of 213 papers was analyzed by authoring and co-authoring, thematic and methodological procedures: empirical, theoretical or applied. The 3835 citations of the papers were analyzed by the document type (books, congresses, journals, theses), online accessibility, and by criteria as nuclear publications, most cited authors and the average life of literature used.

Based on a comparative research on newspapers from 13 European countries, this paper explores the concept of journalists as a “transnational interpretative community” (Zelizer, 1993; Traquina, 2002). Conducted by the EU Kids Online network, a two-month media analysis (October-November 2007) was focused on news involving children and the internet. This comparison identifies particularities of national coverage, on the one hand, and shared cross-national narratives, on the one hand, these being particularly visible in the news coverage of two international events covered by almost all papers. A shared culture is therefore visible in the ways journalists frame risks and opportunities experienced by children online, not apart from the scarcity of attention to the communicative rights expressed by the UN Convention on the Rights of the Child.

The making of journalism, specially the profession of journalist, is in the col¬lective imagination as a series of stereotypes and classifications. This paper aims to present a first draft of the journalist’s social image, through the de¬scriptions provided by the very field, as the result of a self-definition: the journalists by themselves. According to the social representations’ concept, this paper seeks to understand not only how journalists see and interpret themselves, but also whether and how they portray the dualities present in the modus operandi of the activity.

Part of the 1,200 homeless people living in Salvador, Bahia, Brazil, participate, since March 2007, in a pioneering experience in the journalism in Bahia: the street paper called Aurora de Rua (Street Sunrise). The homeless people participates directly of the production and the selling of this tabloid printed once every two months. It is part of a project to promote social reinsertion of the ones who survive in a public space and it also tries to provoke a debate about the subject in the society. The paper applies a concept already solid in Europe – the one of street press. This article reports the experience in the city of Salvador in national and international context and it tries to establish relations between its ways to produce and the principles of ‘civic journalism’, from memory, from related bibliography and from the paper analysis.

This paper presents the radio program named Dick Danello Parlando d’Amore which was broadcasted in the state of Sao Paulo from 1981 to 2016. The program can be understood as a document that integrates the radio memory of Brazil and reveals an understudied genre: programs for immigrants and their descendants. The article aims to analyze this language as letters from listeners, music selection, the language used by the performer Dick Danello. The theoretical basis of this study is formed by theories of the radio, of listening and affections pointing to the relevance of the sense of hearing and the bonds involving performers and listeners for the radio experience as well as studies on love and romantic songs. Interviews and consultations to archive documents are also part of this methodological approach. This article is expected to demonstrate the importance of love bonds for the construction of memory that programs targeting the community of Italian immigrants have produced throughout the history of the radio in Brazil.

The challenge of this paper is understanding the imaginary of Journalism transformations in the transition from the industrial to the post-industrial period when the mass media gave place to the media of the masses. To this end, it seeks to broaden the Journalism Theories perspective based on the contribution of the General Theory of Imaginary, as to better understand what variances and reminiscences in the images permeate the epistemological field of this object in crisis. This symbolic reading is constructed from the mythocritic of classical Brazilian journalism epistemology books from the industrial period, which constituted our foundation while tensioning the post-industrial dynamics. The analysis allowed us to understand that the images constellating in the imaginary of journalism are dynamized from their imaginary responses to ancestral drives: Myths of Time, Myths of Vision, Myths of Progress, and Myths of the Order. Hence this symbolic and mythic framework, we could highlight the imagens evoked by our contemporary times.

This paper intends to contribute to the deepening of the state of the art of journalism studies in relation to the journalist 's autonomy regarding the editorial policy of vehicles, based on the evaluation of the ethical implications involved in the epistemological question of the linguistic/pragmatic turn of the traditional scientific paradigms from positivist to constructivist. In this context, controversial issues in the field of journalism study are addressed, such as the concept of objectivity and the authorship of the journalist in the construction of the news. This purpose is pursued from the pragmatic contributions of George Mead and Charles Peirce to their continuations in more recent theorizations. The reflection problematizes the commitment of journalism to the ethics of communication and a post conventional moral posture based on the commitment of journalism with the strengthening of public authority and the empowerment of citizenship.

This theoretical article discusses the central purpose of journalism in democratic societies, which is to inform in a qualified sense. The paper brings a mapping of authors about the role of journalism in informing, from the first known thesis on journalism in 1690. In addition, it points out that the role of informing is primordial in the discourse of media companies, journalists and readers when they define the duty of journalism in society. From the understanding that one cannot understand the purpose of informing as a finalistic process, it is pointed out that it is necessary to differentiate information from journalistic information. It is concluded that the information must have some attributes of quality, without which it would be invalidating to classify an information as journalistic. In order to be qualified, the information must be verified, relevant, contextualized, plural and engaging.

This paper aims to analyze the criminalization of the social movements for land rights through mediatic discourses published in three online newspapers with greater circulation in Rondonia, a State in northern Brazil. The investigative choice relied on the Liga Camponesa dos Pobres, or LCP (Poor Peasants League), and the Movimento dos Trabalhadores Rurais Sem Terra, MST (Landless Rural Workers Movement) due to the political representation and historical performance achieved by these movements in the State. For the studies, we categorized the most recurrent speeches about them: being terrorists, vandals and cangaceiros, to interdisciplinarly analyze them, in the light of Communication and Semiotics, and the Right to Land. The methodology with a qualitative approach was characterized based on the theoretical-bibliographic references, of a documentary and iconographic nature in said newspapers. According to the analysis, it can be concluded that the conflicts in the countryside in Rondonia and the growing number of homicides of militant farmers of the LCP and the MST are related to the criminalization exposed in the media.

The characteristic of political journalism, structured in the conflict, leads to believe that the struggle of forces occurs at all the time and in all the instances. This process involves a complex network of interests that give the news relevant political weight. This paper discusses the political news coverage in print publications from the perspective of frameworks studies (GAMSON; MODIGLIANI, 1989; GAMSON; LASCH, 1980; VIMIEIRO; MAIA, 2011) and Content Analysis (BARDIN, 2011). The text is a part that shows the results of the master’s thesis “News frameworks of Sartori’s Government: the selection of sources in the newspaper Zero Hora”. The aspects of reality highlighted by the frames compose 17 main packages that synthesizes the frameworks of 2015 in a polarized way, with predominance of contestation frames versus reinforcement frames of the government. Regarding the sources, the data demonstrates the dichotomy between the government and the civil servants, indicating that the main political dispute in the State that year was between the public administration and their functionaries.

In this paper it is briefly analyzed the coverage of 2014’s FIFA World Cup (headquartered in Brazil) aired by the Brazilian TV newscast Jornal Nacional. We present empirical data collected in a research project conducted by the author that allow us to observe what is considered here as an adaptation in the editorial line of the television news. It is addressed the hypothesis that such variation would be potentially motivated by both the cultural relevance that football has in the country, and the interest of reaching higher audience ratings by Globo’s TV news program due to the coverage of the event. Additionally, it is pointed that the variation (observed both quantitatively and qualitatively in the categories of the typically aired news in that TV program) started before the beginning of the tournament.

This paper wants to establish theoretical foundations and ideas about the environmental communication from the practice of research in Mato Grosso do Sul, in preserving the Pantanal biome. The production of news related to the Pantanal area in Mato Grosso do Sul also is minimally present in the newspapers, as receive other approaches to environmental issues, showing that the preservation area is understood as the exploration area. It follows, by analysis, that the angle, presence and speech of news related to the Pantanal come as an instrument for firm economic issues, devaluing the biome and the relevant environmental considerations.

This text observe how the newspaper Gazeta do Povo (Curitiba) addresses environmental public policies during the period 2000 to 2009. The policies are the result of the attention that the government provides for certain topics and the need for a large number of people, in which case the environmental theme was highlighted from the last decades of the twentieth century, when the environmental problems brought to the attention of society . In this scenario, the media act as a space for debate, where we can see to what extent it gives the public discussion on the subject and also as a way to schedule the public sphere. The paper presents empirical data that allow you to observe what the most common themes and moments in which development of these actions the media gives more attention and makes the cover. The initial hypothesis that guides the work is that the themes do not appear in a balanced way and the media coverage has also fragmented, addressing the issue only as a means of disseminating the government agenda and not the debate preceding the establishment of policies and in its assessment.

The hypothesis that should guide the treatment of public policies is that human rights and citizenship should be guaranteed to all citizens. Since this, it´s approach in the first part of the paper the concepts of Social Public Policy and Enigma of Poverty and, in sequence, present a brief summary of narrative strategies used by the Zero Hora Journal in reporting of the tariff. The period surveyed (2004-2008) represents a sample of how the social agenda on public policy gets space in journalistic schema and, consequently, on the public agenda. The search allowed understanding and characterizing the nature of the journalist narratives produced, since they can interfere in decision on public policy and influential public opinion. It´s understood to facilitate is the construction of meanings of these processes originates, from side to side games of languages, mode how the identities are constructed and the rights are represented, that, fundamentally, induce the differentiation and discrimination, between excluded people and the rest of society.

Made available in DSpace on 2016-03-02T12:56:51Z (GMT). No. of bitstreams: 0 Previous issue date: 2010. Added 1 bitstream(s) on 2016-03-02T13:11:33Z : No. of bitstreams: 1 ISSN1984-6924-2010-07-02-237-248.pdf: 161419 bytes, checksum: 351f133a9b8275f98b3bb5610591c4d6 (MD5) O artigo descreve os resultados de pesquisa que avaliou a qualidade da cobertura de assuntos ligados à preservação dos direitos da infância e adolescência nos oito principais jornais das maiores cidades da região administrativa de Bauru (SP), no período de agosto de 2008 a março de 2009. Do total de 389 matérias avaliadas, 66% noticiaram atos infracionais e de violência com crianças e adolescentes como vítimas ou agentes, com enfoque fragmentado e superficial; 34% são abordagens mais amplas sobre as políticas públicas destinadas à preservação de direitos sociais. Os resultados indicam a ocorrência de uma quantidade minoritária - ainda que significativa - de matérias que apresentaram abordagens mais completas e contextualizadas. De maneira geral, pode-se indicar que a contribuição da mídia como forma de vigilância sobre a execução das políticas públicas do setor tem sido limitada, o que justifica a preocupação de exigir, dos meios de comunicação, medidas para que cumpram a função social a eles atribuída pelas democracias contemporâneas para a expansão da cidadania. This paper presents results of an evaluation of the quality of the coverage of issues associated to the preservation of rights of children and adolescents in the eight main newspapers of major cities of Bauru (Sao Paulo State) administrative region, from August 2008 to March 2009. In a total of 389 assessed stories, 66% portrayed acts of legal infraction and violence with children and adolescents as victims or perpetrators, with a fragmented and superficial perspective; 34% are greater approaches about public policies aimed at the preservation of social rights. The results show the existence of a smaller number, yet significant, of stories which presented extended and more contextualized approaches. From a general view, we can point out that the contribution given by the media as a form of vigilance over the execution of public policies has been limited, which justifies the concern of demanding, from the mass media, measures to fulfill the role attributed to them by contemporaneous democracies to the strengthening of citizenship. Universidade Estadual Paulista Júlio de Mesquita Filho, Departamento de Ciências Humanas , Faculdade de Arquitetura, Artes e Comunicação de Bauru, Bauru, Av Eng Luiz Edmundo Carrijo Coube, 14-01, Vargem Limpa, CEP 17033-360, SP, Brasil Universidade Estadual Paulista Júlio de Mesquita Filho, Departamento de Ciências Humanas , Faculdade de Arquitetura, Artes e Comunicação de Bauru, Bauru, Av Eng Luiz Edmundo Carrijo Coube, 14-01, Vargem Limpa, CEP 17033-360, SP, Brasil

This paper describes the results of a analysis upon the coverage about children social exclusion in Brazil, highlighting the relations between journalistic practice and public policies. The emphasis is upon the role of public policies citation (in the stories) as an indicator in the comparative analysis between “day-to-day news” and “special stories”, in Brazilian press media, from mid 1990’s to mid 2000’s. Despite the space increase for themes related to the youth rights among one decade, it seems that “minimum parameters” of the journalistic practice are hardly observed in the “day-to-day press”, comparing to the “special stories”.

The paper analyzes the information performance on the Internet and the impact of the current stage of technology as a media of production and distribution that transforms public and private communication networks. For this study, we propose a recovery of socio-cultural theories that investigate the transformation of communication processes and exposes cases of contamination. The article focuses on the political-economic perspectives of press and journalism and the legitimacy of the vehicles in the digital culture. The authors are from the communication, cyberculture, sociology and philosophy area, and include names such as George Wilson, Karl Marx, Gilles Lipovetsky, Mauro Wolf, Andre Lemos, Pierre Levy.

The present paper analyzes the use of multimedia and interactive tools in the all news radio station Band News FM and in his site. In the converged environment in which the two vehicles operate, the use of the potential of each medium can bring great benefits to both radio and site. Let's observe here, on two occasions, in the use of audio in multimedia discourse and interactivity tools, typically used in the online journalism, applied to the radio. The choice of a sample of August 2007 and again in October 2008 could allow analyzing whether there has been progress in relation to the uses noted.

The paper works about a context of Euclides da Cunha´s time. It is a study about the charasteristics of newsmaking at the end of XIX century and beginning of the XXth., specialy the Canudos campaign and how it was received and perceived by the press. Canudos has received a great attention from the press and became the first midiatic event in the brazilian history. At the end, there is a study about the Cunhas´s originals texts sended from the front of the war. These texts make evident contemporary values even importants on the daily journalism.

This article suggests a connection between Fairclough’s critical discourse analysis, Moscovici’s social representations theory and Lotman’s semiosphere. The paper classifies the production of meaning in journalistic reports as reproduction (the “sedimentation” of stereotypes), questioning (the “erosion” of presupposition) denial (“earthquakes” in the basis of the semiosphere) or creation (the “eruption” of new ideas) of social representations.

In this paper we explore the ways that contemporary studies of Sciences of Communication are doing to think about the ownership of the symbolics texts of the media by subject receivers. We focus on a reflective journey based on theories and methods of British and Latin American Cultural Studies, examining the various modes such as social subjects interpret, seize and operate the texts of media and also the role of mediations in the safeguarding of convergence points between the process of encoding and decoding discursive.

This paper focuses on literary journalism and its potential to talk about science and technology by its processes, in spite of traditional press, in which there is a predominance of “results mithology”, which ignores – and so does the reader – the construction of researches and the controversies that happened during its development. Thus we present ethnography as a journalistic observation tool, which, providing the reporter of a better immersion in reality, allows for a media representation of science-in-progress, in the constructivist manner proposed by Bruno Latour, as well as a subjectivation of scientists, bringing them closer to ordinary people.

This paper proposes a reflection on the practices of participative web-journalism and the question of self-referentiality as a strategy to legitimate journalism as a field. It is divided in three parts: the first one approaches journalistic practice and analyses it under the logics of the media society and the mediatisation process; the second part approaches the notions of participative web journalism and selfreferentiality. It argues that the adoption of these practices of exteriorization of the journalistic practice. Finally, some questions are placed on what these phenomena of the opening of the journalism field can represent in terms of legitimacy/delegitimacy journalism as an institution.

This paper presents a comparative analysis between the Correio Braziliense and Gazeta do Rio de Janeiro newspapers, detaching the characteristics of both editions and his contributions to the brazilian press’ history, including his echoes about the portuguese colonies.

This text presents some approaches between History and Journalism, studying the theoretical route of each one of these areas and the possible links from the constitution of History of Journalism concept. It has as foundation the abstracts of the thesis and papers from post-graduate in Communication of Brazil which discusse this subject, establishing, first of all, which treat Journalism and, among these, which research History of Journalism. The study treats the formation of a jornalistical knowledge field from the search for its autonomy conjugated the development conceptual and theoreti¬cal of History for an understanding of the difficulties and the possibilities belonging to History of Journalism. Finally, it establishes that as much the opening from History to the others knowledge fields as the lack of a justified and limited object from Journal¬ism permit the entry by the others areas for the composition of the researches in His¬tory of Journalism, such as Sociology, Economy, Politics and Language Studies.

Which journalistic gender is the most successful one among Brazilian readers nowadays? The ones who had answered that the favourite style among Brazilian readers are the columns are right. The style comes from the old social columns, it has changed and now it covers a widespread range of subjects, with special attention to those from politics. The present paper analyzes three of the most popular columns – the ones written by Jorge Bastos Moreno, Monica Bergamo and Claudio Humberto – in order to study the journalistic news’ concept in them.

This paper aims to analyze discourses. Howthe same theme is presented on news programs and in soap operas produced in Brazil? Programs that are intended to show, respectively, reality and fiction on TV. The selected objects of analysis are O Clone soap opera and the Jornal Nacional TV news, both broadcasted by Rede Globo de Televisao. It investigates the language and the process of making sense from these TV productions. Its goal is to identify how reality and fiction are constituted on these programs, considering the existence of soap opera fiction on news programs and of the facts related to reality on Brazilian soap operas.

Trabalhando em parceria na coordenacao e vice-coordenacao do GT Midia e Entretenimento da Compos, os pesquisadores Jeder Jannoti Jr. e Simone Pereira de Sa discutem nesta entrevista, tambem conjuntamente, as implicacoes da relacao conflituosa entre midia e entretenimento, no contexto da espetacularizacao da cultura. Professor do Programa de Pos-Graduacao em Comunicacao e Cultura Contemporâneas da Universidade Federal da Bahia (UFBA), Janotti Jr. coordena ainda o grupo de pesquisa Midia & Musica Popular Massiva. E autor dos livros Aumenta que Isso Ai e Rock and Roll e Heavy Metal com Dende (Ed. E-Papers). Simone Pereira de Sa, do Departamento de Midia e do Programa de Pos-Graduacao em Comunicacao da Universidade Federal Fluminense (UFF), coordena na instituicao o LabCult - Laboratorio de Pesquisas em Culturas Urbanas, Lazer e Tecnologias da Comunicacao e desenvolve no momento a pesquisa "Cibercultura, generos e cenas na musica eletronica do Brasil".

This paper has as main objective to suggest a news’ classification which we call non-news, a product strongly present in our lives nowadays. We analyze the most famous celebrity publication in Brazil, a magazine called Caras. Our hypothesis is that, the media creates a phenomenon of self feeding. Weapply some concepts from the News and Journalism theories, and we subvert the cannons. To analyse this case can help us to understand a new mediatic reality. In this environment, the news - the non-news – is a momentary result in which the media does not cover events that take place in the outside world, the media creates the non-news itself by self feeding.

This paper presents an analysis of the interests of Internet users who access information sites. For that, we use data on the most searched news in Brazilian's five major news sites - UOL, Terra, G1, The Globe and Folha.com. The collection of this material occurred during the election period of 2012 and was replicated in the same period of 2013, year no election. Is discussed, compared, changes and maintenance with regard to the themes of the news and features that were the most read of the day these media analyzed in both periods. It is considered important to identify what kind of information draws attention of users in this space, under the assumption that news characterized as softnews (entertainment, celebrity and sports) offer little substantive to add to the debate, while hardnews (health, education, politics, violence, minorities, etc.) highlight issues of public interest. Altogether, there were 1,929 entries from 2012 and 1806 of 2013.

Placed between Literature and Journalism by amalgamating fact checking to the narrative aesthetics of fiction, Literary Journalism faces the challenge of producing works of ambiguous character. One of the factors in this dispute is the use of composite characters, created by combining biographic features of a number of sources in a single person. In this paper we discuss the borders between fact and fiction in this kind of narrative in two instances. The first is a historical one, with a focus on the profiles about Hugh Griffin Flood by American reporter Joseph Mitchell (1908-1996) published in the New Yorker magazine in the 1940s. The second one puts an emphasis on the separation between real and fake characters, treated as fraud in the press from the 1980s due to cases such as those of The Washington Post reporter Janet Cooke and The New York Times reporter Jason Blair, in 2003.

Made available in DSpace on 2016-03-02T13:03:04Z (GMT). No. of bitstreams: 0 Previous issue date: 2014. Added 1 bitstream(s) on 2016-03-02T13:14:29Z : No. of bitstreams: 1 ISSN1984-6924-2014-11-02-316-327.pdf: 1094706 bytes, checksum: 09efdc972e6fcc059e6f08c23104bc68 (MD5) O objetivo deste trabalho é discutir o conceito de e-sports ou esportes eletrônicos na atividade jornalística esportiva no contexto transmídia. Para tanto são propostas reflexões sobre o conceito atual de esporte, a forte presença da game cultura na sociedade contemporânea e suas implicações no ecossistema midiático através da apresentação de uma plataforma on line para esportes eletrônicos, denominada Twitch. Esta discussão passa a habitar um novo ecossistema midiático criado na esfera interdisciplinar que engloba esporte, sociologia, mídia e tecnologia. Neste ambiente, esportes e videogames fundem-se no conceito de e-sport (ou esporte eletrônico), um fenômeno da cultura digital contemporânea. The purpose of this paper is to discuss the concept of e-sports (or electronic sports) in sports journalism in transmedia context. To achieve this goal are performed refl ections on the current concept of sport, the strong presence of game culture in contemporary society and their implications in the media ecosystem through the presentation of an on-line platform for electronic sports, called Twitch. Th is thread moves into a new media ecosystem created in interdisciplinary sphere that encompasses sports and media & technology. In this environment sports and video games seek merge into the concept of e-sport (electronic sport), a phenomenon of contemporary digital culture. Universidade Estadual Paulista Júlio de Mesquita Filho, Departamento de Comunicação Social, Faculdade de Arquitetura, Artes e Comunicação de Bauru, Bauru, Av Eng Luiz Edmundo Carrijo Coube, 14-01, Vargem Limpa, CEP 17033360, SP, Brasil Universidade Estadual Paulista Júlio de Mesquita Filho, Departamento de Comunicação Social, Faculdade de Arquitetura, Artes e Comunicação de Bauru, Bauru, Av Eng Luiz Edmundo Carrijo Coube, 14-01, Vargem Limpa, CEP 17033360, SP, Brasil

Este trabalho faz uma discussão sobre a morte do jornalista Vladimir Herzog a partir daqueles que sofreram torturas no regime militar. O principal objeto de análise será o documentário “Vlado: 30 anos depois”, produzido pela TV Cultura e dirigido por João Batista de Andrade. A proposta metodológica se baseia em uma análise de conteúdo ancorada no paradigma indiciário, tomando o filme como um indicador da vida social (em diálogo com o contexto histórico no qual está inserido). As averiguações empreendidas indicam que as vítimas da ditadura narram suas histórias não por um desejo singular, mas por preocupação para com uma história que poderia ser esquecida em razão da ausência de imagens que pudessem expressar suas dores, o que, entretanto, não impede a sua lembrança pelos meios de comunicação e pelo jornalismo em especial. This paper performs a discussion about the death of journalist Vladimir Herzog starting from whose who have suffered tortures in the military regime. The main object of analysis is the documentary “Vlado: 30 anos depois”, produced by TV Cultura and directed by João Batista de Andrade. The methodology is based on a content analysis grounded in evidentiary paradigm, taking the film as an indicator of social life (in dialogue with the historical context in which it is inserted). Th e investigations undertaken indicate that the dictatorship’s victims narrate their stories not by a singular desire, but by concern for a story that could be overlooked because of the absence of images that could express their pain, which, however, does not preclude its remembrance by the media and journalism in particular.

Published at Jornal do Brasil from 1963 to 1993, Coluna do Castello is the journalistic column of greater longevity in the domestic press. At the column, the journalist Carlos Castello Branco used to post informative reports, analyzes and predictions on the directions of the national politics. Based on content analysis and the theory of journalistic genres and historical perspectives, this paper studies the texts published at Coluna do Castello in the early stage of the military dictatorship in Brazil (1963-1967), including the preparation and the coup d’etat of 1964, and the phase of stronger repression against the press (1968-1973) as the Institutional Act No. 5 was enacted.