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This article examines how the issue of gender, particularly women’s (under)representation in the video game industry, is framed in US and Finnish media. Building on the notion of stigma surrounding feminism, the article examines discourse practices as acts of managing the image of feminism. The findings illustrate five stigma management strategies that offer the possibility of maintaining socially accepted ways of discussing gender inequality and portraying women in mainstream media. Using critical discourse analysis, the paper addresses how the use of these stigma management strategies connects with different contemporary feminisms. The strategies used and their ideological backgrounds vary between the two cultural contexts. This article contributes to the understanding of the ongoing discussions between postfeminism and neoliberal feminism in contemporary society and organizations by demonstrating how the expression of feminist ideas is managed in different cultural contexts. peerReviewed

Lone mothers are a diverse group but it has been argued in the previous research that they tend to be homogenised. This article explores representations of single mothers in Swedish newspapers. Material from the two largest morning papers and the two largest tabloids was collected from the years 2015–2017. The results of the study suggest that although the newspaper representations do not fully reflect the diversity of social realities, there are indeed varying images of lone mothers in the sample. A recurring representation is as a comparatively poor and hardworking—even heroic—woman, who in political argumentation is referred to as someone in need of societal support and policy reforms. A less frequent representation, that often occurs in lengthy, in-depth pieces, is the affluent official person who despite her prosperity struggles with combining single (good) motherhood with her career, or the middle-class woman who becomes a lone mother via assisted reproductive technologies. Teenage motherhood (i.e., age), race/ethnicity, sexuality, and welfare dependence are seldom, if at all, alluded to. There is no vilification or condemnation of the lone mother, as has been found in research on other national contexts.

The file attached to this record is the author's final peer reviewed version. The #MeToo campaign has reminded us that male sexual violence, harassment, and abuse towards women is not a new phenom- enon. But alongside the visibility of the perpetrators and experiences of myriad women, this recent campaign raises a set of questions as to how this type of violence towards women is normalised and legitimated. Our focus here is on the ways in which male sexual violence towards women is normalised and legitimated through the use of humour. Existing research on responses to, and discussions of, rape jokes and rape culture have primarily focussed on online discourses or television coverage of rape joke controversies. The focus in this paper is if, and how, serious newspaper discourse contributes to the normalisation of male sexual violence towards women. In order to evaluate this, we undertake a thematic analysis of UK newspaper coverage of rape jokes. While there is the potential for the telling of rape jokes to be emancipatory, our findings suggest that news coverage of rape jokes does the ideological work of strengthening rather than challenging gendered power relations. We argue that news coverage of rape jokes in the UK predominantly reinforces and normalises male sexual violence towards women.

Published online: 25 May 2018, As they are a privileged site for the (re)construction of the dominant gender order, media often contribute to naturalizing inequalities. This paper aims to critically discuss the way in which hegemonic meanings of gender have been accepted, resisted, and/or challenged in the Portuguese media context, both by professionals working in news magazines and by publics. This discussion revolves around three different topics: access, distribution, and participation in the media industries; reporting practices and media contents; and gender equality policies. The research is based on 11 focus-group discussions with 101 undergraduate students, as well as on semi-structured, in-depth interviews with 15 media professionals. The collected data were subsequently submitted to a thematic analysis. The findings show that hegemonic meanings of gender were mostly (re)produced: gender asymmetries in the media industry were either taken as a non-issue, or attributed to individual-level factors. Additionally, gendered media representations, and the relationships between the male-biased news-making process and the neoliberal trends in political economy of communication were largely disregarded, as far as their impact is concerned; gender equality policies were dismissed as actions required to achieve equality, diversity, and social justice. Critical gender perspectives have rarely been endorsed by media professionals and publics., This work was supported by the European Fund for Regional Development (FEDER) through the Operational Competitiveness Programme (COMPETE), and by national funds through the Portuguese Foundation for Science and Technology (FCT) under the project PTDC/CCI-COM/114182/2009., info:eu-repo/semantics/publishedVersion

Through a content analysis of 532 programs screened on various national television networks in Colombia, this paper examines portrayals of women in the country’s narconovelas, fictional series derived from the telenovela genre that resonate forcefully with the public. We do so in order to gain a better understanding of their role in representing gender in Colombia. Relevant topics include: the widespread violence against women in a traditional, patriarchal country, the ineffectiveness of policies targeting gender discrimination, and ideologies of machismo and Marianismo. These practices are discussed as factors that may prevent women’s social empowerment and participation in the workforce and politics of the country. Our results show that, as per Colombia’s prevailing social relations, narconovelas demonstrate a gendered power imbalance and mestizo heteronormativity via macho plots that glamorize violence against women. Women are rarely key characters in narconovelas, and when they appear, they are dependent on men, and attain status through men or their families. In addition, the genre represents continuous verbal and physical aggression against women, especially if they belong to ethnic or racial minorities.