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This study aims to portray the self of the sacrificial subject, specifically the feminine sacrificial self. The Christian discourse on sacrifice is dominated by the scholarship of René Girard and his followers. This study briefly presents Girard's approach and pinpoints its weaknesses in order to complement it with the work of Julia Kristeva and Jan Patočka. All these approaches, taken together, provide a complex picture of what the autonomous feminine sacrificial self looks like. Starting from thorough theoretical and analytical analyses of Girard, Kristeva and Patočka, this study then applies their insights through the particular example of the feminine sacrificial self of Milada Horáková. The example of this political prisoner and victim of a Stalinist showtrial in 1950s Czechoslovakia aptly illustrates the uniqueness of the feminine sacrificial self. [ABSTRACT FROM AUTHOR]

This essay reads Julia Kristeva’s ‘novel-essay’ on St. Teresa of Avila, Thérèse mon amour (2008b), as a form of relationship to literature we can also see suggested, though not theorized, in Kristeva’s critical thought. Thérèse mon amour performs feats of interpretation and intimacy with St. Teresa’s writing that rehearse key tenets of her theology, but that also revive and re-open questions at the heart of Kristeva’s theoretical matrix, questions of narcissism and love, metaphor and language. The essay traces these questions in Kristeva’s oeuvre, proposing that Thérèse mon amour exposes unexpected affinities between a Kristevan ethics of relationship and the radical dilemma of faith in St. Teresa. The two are united, I suggest, by the fraught project of writing love. [ABSTRACT FROM AUTHOR]

This article deals with the issue of innovation in church tradition, more specifically in Orthodoxy. Using as an example the admittedly untypical life of Mother Maria Skobtsova (1891–1945), an Orthodox nun living in France after the 1917 revolution in Russia, the article shows how the creative moments of her life, which shaped the church tradition in exile, can be also viewed from a psychoanalytical perspective. With the help of French psychoanalyst Julia Kristeva, the creative changes Mother Maria brought to church tradition can be seen as the play of the semiotic and the symbolic within the Symbolic order: the maternal, imaginatively associative, less conscious and the paternal, regulated, structured and regulated. The subversive forces of the semiotic – madness, holiness and poetry – observed in Mother Maria’s life, brought new and living possibilities into the theology of Orthodox diaspora. [ABSTRACT FROM PUBLISHER]

In This Incredible Need to Believe (2009), philosopher Julia Kristeva identifies the present as a time of crisis identified with ‘ideality’; historically significant cultural idealizations are failing us, leading to social and cultural breakdown, which Kristeva believes is not being addressed in ‘secular’ western societies. Remarkably, she defends the universal significance of what she defines as ‘belief’, revisiting earlier work on language, literature and the unconscious, against the background of a recent revival of interest in ‘religion’. In an introductory way, this article outlines ways in which Kristeva’s analysis can help feminist readers to take bearings at this time. [ABSTRACT FROM AUTHOR]