The feminine universe in the ancient Near East is a research topic that has been widely debated at least since the 1960s and that has seen an acceleration in Italy thanks in part to the important data from Mature Early Syrian Ebla, from the texts of the Royal Archives and the production of female sculptures made with different materials, distinctive works in the known documentation of the 3rd millennium BC. This paper aims to offer some considerations on female figures and their roles, in both the divine and human spheres, on the basis of data from the visual documentation and the textual sources. It seems clear that women achieved various levels of visibility depending on their rank and/or role, and that in some cases they stood out for their remarkable power in the sphere of cult or the political management of the kingdom. Here we will focus instead on those female subjects of "second rank" who may provide clues of help in outlining the social hierarchy in the archaic cultures of Mesopotamia and Syria. Among the data that have emerged we can note that among the multitude of anonymous women, prisoners of war, there is an improvement in status for those skilled at writing, who achieved the rank of scribe within the temple apparatus and the families who owned them. The female workforce seems to have had specific skills already in the 3rd millennium BC and represented an important resource for the state economy. One specific category that still requires full definition in the social hierarchy are wet nurses, not all of whom are anonymous, who enjoyed privileged status and a degree of power in the elite class, also indicated by their ownership of seals with their names on them and the display of their image on royal seals. The famous inscribed Akkadian seal of the wet-nurse Takunai, in the retinue of her mistress in a classic presentation scene, raises the question of whether and in how many other similar scenes on seals, the women - albeit anonymous - were such devoted servants of high ranking women. Similarly, attention is devoted to that flock of "minor figures" of women who are unknown but still part of the social hierarchy, crowded onto reliefs, seal impressions and inlaid panels. They are increasingly present in the visual communication at the time of the city-states, alongside the images of wealthy women in the statuary deposed in the city temples. A significant feature in the social hierarchy of archaic Near-Eastern cultures as concerns women, already noted some time ago thanks to an analysis of the sources, is that their basic roles are generally defined by a family relationship with a prominent male, through which the identity of female subjects becomes recognizable. [ABSTRACT FROM AUTHOR]