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In this work, the effect of X-ray irradiation as a disinfection treatment in original ancient parchment samples, belonging to a discarded book cover of a 16th-century archival register, has been evaluated. Specifically, the bacterial and fungal species isolated from the book cover have been characterized and then irradiated with increasing doses of X-rays with the aim to evaluate the effectiveness of the antimicrobial protocol on the isolated microorganisms. The deterioration effects induced by the X-ray treatment as well as the natural aging on the collagen matrix of the parchment sample have been tested by employing several techniques, namely, Light Transmission Analysis, Fiber Optic Reflectance Spectroscopy, Attenuated Total Reflectance-Fourier Transformed Infrared spectroscopy, UV Resonant Raman spectroscopy and Atomic Force Microscopy. The results reveal that the irradiation treatment applied to our ancient parchment samples deteriorated by biological attack and other naturally occurring phenomena, possibly associated with inappropriate conservation conditions, does not seem to induce further damage factors even when large doses of irradiation are employed. The X-rays-based disinfection treatment effects are limited on the collagen support and this confirms the potential of this method in mass disinfection of library and archival materials.

The Ethiopian magic scrolls are traditional parchment artifacts used by the Christians of Ethiopia as protection against disease and demonic possessions. On the occasion of their restoration in the Accademia delle Belle Arti di Bologna (Italy); a preliminary characterization before the treatments has been performed on four Ethiopian scrolls belonging to the Archivio storico della provincia di Cristo Re dei Frati Minori dell’Emilia Romagna of Bologna (Italy). In order to plan an effective preservative restoration procedure and; at the same time; to investigate the manufacturing techniques; the text and the decorations on the magic scrolls were studied and characterized. A combined approach by imaging and compositional techniques was used: Infrared Reflectography (IRR) for the preliminary characterization of the graphic supports and the identification of the points to sample the chemical measurements; and the spectroscopic analyses to clarify the hypothesized investigations and confirm the chemical composition of the inks. In particular; Attenuated Total Reflectance-Fourier Transform Infrared (ATR-FTIR) spectroscopy has provided information relating to the molecular composition of inks and pigments; while a characterization of the constituent elements is obtained with the Ion Beam Analysis (IBA). The ink composition proved to be consistent with data generally documented in the literature and contributing to the expansion of knowledge on Ethiopian magic scrolls and their production.

Among the different forms of art, the puppet theatre constitutes a long-standing and often little-known tradition. The use of puppets as support for acting dates back to the Greek age, and it was mainly developed during the modern period. The reason for such a large diffusion was due to the possibility of using affordable materials, such as papier-mâché, for the puppets’ manufacture. In this paper, a method based on the combined use of pulsed thermography (PT) and mid-wave infrared reflectography (MIR) is, for the first time, proposed for the characterization of papier-mâché artworks. In particular, some puppets belonging to the collection of the Museo delle Civiltà in Rome and made by Olga Lampe Minelli, a 20th-century puppet master, were investigated in order to detect damaged areas, such as those affected by insect attacks, and, consequently, to specifically plan suitable restoration works. Finally, the investigations were also carried out after the restoration to evaluate the effectiveness of the adopted treatments.

On the occasion of the 700th centenary of the death of Dante Alighieri, medium wave infrared imaging analysis of illuminations of the XIV-century code of the Divina Commedia (MS. 1102), hosted in the Biblioteca Angelica in Rome, was performed and discussed. The investigation was carried out by means of thermographic and reflectographic techniques on illuminations where the iconographic representation appeared severely damaged. In particular, through the combined use of both techniques, it was possible to recover the images of the damaged parts of the pictorial layer of the illuminations and of their underdrawings, displaying details of the “lost guardians”, which was useful to reconstruct the conservative history of the precious manuscript.