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Abstract This research delves into the investigation of a ceramic sample discovered in the southern sector of the Durrës Amphitheatre, with a primary focus on comprehending its composition, origin, and cultural importance. The sample reveals similarities with protostonepaste through meticulous chemical analysis, yet a more profound correlation with protostonepaste concerning normative composition. Despite its porcelain-like external appearance, the ceramic demonstrates chemical consistency with a finely balanced amalgamation of crushed kaolinised leucogranite, frits, and talc, accounting for a dominant proportion of 60% compared to the other constituents. Our findings suggest that the ceramic traces its origin to Iran, specifically the Kashan and Qamsar areas, dating back to the twelfth century. The geological attributes of the region have significantly influenced the choice of raw materials for producing high-temperature ceramics. Additionally, the presence of arsenic and cobalt in the glaze further corroborates its Iranian provenance. This discovery significantly accentuates Durrës' pivotal role as a crucial conduit for East–West interactions, including its historical ties with Venice. Trade links between Durrës and Syrian–Iranian area were established as early as the tenth century. Furthermore, the analysed ceramic fragment was unearthed within a layer corresponding to a period of abandonment within the productive context. This period dates to the late twelfth century—early thirteenth century. These findings offer compelling evidence of this urban sector's continued commercial and economic significance throughout the central centuries of the Middle Ages.

This research delves into the investigation of a ceramic sample discovered in the southern sector of the Durrës Amphitheatre, with a primary focus on comprehending its composition, origin, and cultural importance. The sample reveals similarities with protostonepaste through meticulous chemical analysis, yet a more profound correlation with protostonepaste concerning normative composition. Despite its porcelain-like external appearance, the ceramic demonstrates chemical consistency with a finely balanced amalgamation of crushed kaolinised leucogranite, frits, and talc, accounting for a dominant proportion of 60% compared to the other constituents. Our findings suggest that the ceramic traces its origin to Iran, specifically the Kashan and Qamsar areas, dating back to the twelfth century. The geological attributes of the region have significantly influenced the choice of raw materials for producing high-temperature ceramics. Additionally, the presence of arsenic and cobalt in the glaze further corroborates its Iranian provenance. This discovery significantly accentuates Durrës' pivotal role as a crucial conduit for East–West interactions, including its historical ties with Venice. Trade links between Durrës and Syrian–Iranian area were established as early as the tenth century. Furthermore, the analysed ceramic fragment was unearthed within a layer corresponding to a period of abandonment within the productive context. This period dates to the late twelfth century—early thirteenth century. These findings offer compelling evidence of this urban sector's continued commercial and economic significance throughout the central centuries of the Middle Ages. [ABSTRACT FROM AUTHOR]