Search

The author explores several novels worth reading during a road trip. After examining definitions of road trips and journeys, books discussed include "Paper Towns" by John Green, "The Car" by Gary Paulsen, and "In the Path of Falling Objects" by Andrew Smith. Protagonists, travel stories, and narratives are described. The author recommends "Rose by Any Other Name" by Maureen McCarthy.

Features author Hans Christian Andersen and his paper art. Forms of entertainment provided by Andersen during holidays; Impression of Henry Dickens, son of author Charles Dickens, regarding Andersen and his talent in paper cutting; Significance of the Frijsenborg cutting to the life of Andersen.

In this article, the author discusses paper, his preferred art medium. His love for paper started when his mother, who was a secretary for Ford Motor Company, brought him home some company letterhead to draw on. The author discusses two different paper stores in New York City, Kate's Paperie and Pearl Paint.

The article discusses how digital illustration could reimagine the way books are illustrated and the way they work. Digital illustration has been made to mimic traditional techniques, but in the form of ebooks, it could do much more. Images could move across the screen in a way unimaginable on paper. Already, David Macaulay's "Black and White," Art Spiegelman's "Open Me...I'm a Dog!," and David Wiesner's "The Three Pigs" are playing with traditional ideas of books and paper.

In this article, the author talks about childhood reading and allegorical elements of children's books. It mentions about the discussion of Facebook group called Jewish Kidlit Mavens members about their childhood reading of author C. S. Lewis's Narnia series. It also talks about author's reading of the book The Gift.

An introduction is presented in which the editor previews several 2016 books reviewed within the issue including "Paper Wishes" by Lois Sepahban, "With Malice: A Novel" by Eileen Cook, and "Anna & the Swallow Man" by Gavriel Savit.

The author describes the materials she uses to create her artworks for books. Her favorite is the pencil since it allows her to tell a story through the lines of her drawings. She also loves oil paint for its slow drying and odors. She adds that she likes the need to apply a scientific method when using oil paint.

The article focuses on the collaboration between author Patricia Lee Gauch and illustrator Ed Young, highlighting their creative process and the evolution of Young's storytelling. Topics include Gauch's introduction to Young's work, their collaborative projects such as "Cats Are Cats" and "Lon Po Po," and Young's development as both an illustrator and a writer, culminating in his profound impact on children's literature.

A personal narrative is presented which explores the author's experience of visiting the Kerlan Collection at the University of Minnesota, the largest archives housing materials related to children's literature.

The article explains the technique involved in pulp painting, a technique used in illustrating children's books. The technique involves pouring cotton rag fiber that is suspended in water through hand-cut stencils onto a screen, creating an image in handmade paper. The author describes the advantages and disadvantages of the technique.

The article presents an interview with an author D.K. Dyson and an illustrator Rudy Gutierrez about "Window Fishing" book. Topics discussed include drawings of sea life, experience of watching the Circle Line tour boat going on its daily route, and challenges in writing a picture book despite having experience composing music and writing lyrics.

The article lists several books including "Here's to Us" by Becky Albertalli and Adam Silvera, "Cold-Blooded Myrtle: A Myrtle Hardcastle Mystery" by Elizabeth C. Bunce, and "Out of My Heart" by Sharon M. Draper.

This article is focused on the African American children's literature writer and illustrator Ashley Bryan. Bryan has written and illustrated such books as "The Ox of the Wonderful Horns and Other African Folktales," "All Night, All Day: A Child's First Book of African-American Spirituals," and "The Night Has Ears: African Proverbs." The author comments on Bryan's artwork, formed by materials such as stained sea glass panels, puppets, and cut paper.

A personal narrative is presented which discusses the author's experience of receiving the Boston Globe–Horn Book Award for nonfiction for "The Notorious Benedict Arnold" and the excitement and encouragement he felt from his editor and agent.

The article presents information related to children's literature legacy award acceptance in the U.S. It mentions about several children's book authors including Jane Gardam, Virginia Hamilton, Donald Crews and Anita Lobel. It also mentions about the relevance of the color of the headbands on a novel, the weight of the paper and moving an illustration or a line of text.

The article offers a look at the use of the concept of brand-name recognition in packaging of books. Several factors that led to the emergence of the advertising technique for children's books are presented. A recommendation for the book 'The Children of Green Knowe,' by Lucy Boston and information on other books reissued as children's books are discussed.

The article discusses the Robin Smith Picture Book Prize, established in memory of Robin Smith, a beloved educator and reviewer at the Horn Book.

The article focuses on American women author Pam Muñoz Ryan's acceptance speech for the 2024 Children's Literature Legacy Award. She highlighted her family's significance over accolades. She also praised her editor, Tracy Mack, and expressed deep thanks to Scholastic for supporting her diverse storytelling, especially in works like "Esperanza Rising," reflecting her family's history.

The article focuses on the career of American author Dave Eggers, winner of the 2024 Newbery Medal for "The Eyes and the Impossible," published by Alfred A. Knopf Books for Young Readers and McSweeney's.

The article focuses on Vashti Harrison's acceptance of the 2024 Caldecott Medal for "Big," reflecting on her journey as a African American women illustrator. Topics include her inspiration from past African American women artists; challenges with body image in art; and her dedication to creating inclusive, empowering children's literature.

The article focuses on African women author Vashti Harrison's dedication to her craft and her impact as a children's book author and illustrator.

A personal narrative is presented which discusses the author's journey as a Black writer, drawing inspiration from influential figures such as Etheridge Knight, Lucille Clifton and Ishmael Reed, the author's childhood influences and the impact of Black history and literature on her writing career.