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Disorientation is a versatile, multidisciplinary concept. Whether associated with its spatial meaning or its non-spatial, more metaphorical sense, various disciplines have used disorientation to describe a broad range of philosophical, cultural, and social phenomena in the last decades. However, the focus on the concept from an emotional perspective remains scarce. To expand the current investigation on the topic, the present paper attempts a first approach to conceptualize disorientation as an emotional experience from an interactionist perspective. The paper reviews the previous literature, provides theoretical background and a working definition for the concept, and examines prototypical situations that are potentially disorienting for individuals, emphasizing the social and situated nature of the disorienting experience. The paper also comments on the relationships between disorientation and culture and points out some implications of the concept in mental health and psychological distress. Altogether, the paper argues about the value of disorientation as a powerful construct to gain insight into what, why, and how traumatic and everyday situations as well as current cultural and social challenges impact people emotionally. [ABSTRACT FROM AUTHOR]

We aim to contribute to recent situational approaches to the study of interpersonal violence by elaborating the concept of trajectories. Trajectories are communicative processes in which antagonists act upon each other's bodily and verbal actions to project a direction for the interaction to take, which is then (con) tested in the exchanges that follow. We use the notion of trajectories to gain insight in how participants turn an antagonistic situation into a violent encounter, which we contrast to interactionist and micro-sociological understandings. Using ethnomethodological and conversation analytical tools, we detail the trajectories of three violent encounters, captured on phone camera recordings to answer the question how verbal and bodily exchanges project physical violence. Methodologically, our contribution shows how bodily actions can be studied in visual data. Our cases show how antagonists move the interaction toward violence by creating a metaconflict revolving around the conditions under which the interaction will become a physical confrontation; what we call the contested projection of violence. We conclude that the concept of trajectories offers a useful analytical tool to detail the shifts and turns of the interactive process—notably it's bodily dimensions— that characterize antagonism and violence. Substantially, our analysis raises questions about conceptualizations of the emotional dynamics (notably the role of dominance) of violence, as proposed by earlier micro-sociological and interactionist work. We therefore suggest that future studies engage with these issues in more detail and in larger datasets. [ABSTRACT FROM AUTHOR]