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Text-to-music generation models are now capable of generating high-quality music audio in broad styles. However, text control is primarily suitable for the manipulation of global musical attributes like genre, mood, and tempo, and is less suitable for precise control over time-varying attributes such as the positions of beats in time or the changing dynamics of the music. We propose Music ControlNet, a diffusion-based music generation model that offers multiple precise, time-varying controls over generated audio. To imbue text-to-music models with time-varying control, we propose an approach analogous to pixel-wise control of the image-domain ControlNet method. Specifically, we extract controls from training audio yielding paired data, and fine-tune a diffusion-based conditional generative model over audio spectrograms given melody, dynamics, and rhythm controls. While the image-domain Uni-ControlNet method already allows generation with any subset of controls, we devise a new masking strategy to allow creators to input controls that are only partially specified in time. We evaluate both on controls extracted from audio and controls we expect creators to provide, demonstrating that we can generate realistic music that corresponds to control inputs in both settings. While few comparable music generation models exist, we benchmark against MusicGen, a recent model that accepts text and melody input, and show that our model generates music that is 49% more faithful to input melodies despite having 35x fewer parameters, training on 11x less data, and enabling two additional forms of time-varying control. Sound examples can be found at https://musiccontrolnet.github.io/web/.

Adaptive filtering algorithms are pervasive throughout signal processing and have had a material impact on a wide variety of domains including audio processing, telecommunications, biomedical sensing, astrophysics and cosmology, seismology, and many more. Adaptive filters typically operate via specialized online, iterative optimization methods such as least-mean squares or recursive least squares and aim to process signals in unknown or nonstationary environments. Such algorithms, however, can be slow and laborious to develop, require domain expertise to create, and necessitate mathematical insight for improvement. In this work, we seek to improve upon hand-derived adaptive filter algorithms and present a comprehensive framework for learning online, adaptive signal processing algorithms or update rules directly from data. To do so, we frame the development of adaptive filters as a meta-learning problem in the context of deep learning and use a form of self-supervision to learn online iterative update rules for adaptive filters. To demonstrate our approach, we focus on audio applications and systematically develop meta-learned adaptive filters for five canonical audio problems including system identification, acoustic echo cancellation, blind equalization, multi-channel dereverberation, and beamforming.We compare our approach against common baselines and/or recent state-of-the-art methods. We show we can learn high-performing adaptive filters that operate in real-time and, in most cases, significantly outperform each method we compare against – all using a single general-purpose configuration of our approach.