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In this paper I outline a framework for a relational sociology of culture. I begin by briefly defining relational sociology and contrasting it with both individualistic and holistic alternatives. Culture, I suggest, is an inherently relational concept and needs to be theorised and analysed as such. This argument is briefly elaborated through a discussion of the generation and diffusion of culture by way of interaction and social networks. The respective contributions of Tarde, Durkheim, Merleau-Ponty, and Wittgenstein are given particular attention. In the final part of the paper I introduce and discuss Howard Becker's notion of ‘art worlds’, drawing out and elaborating upon its relational foundations whilst also further developing it through a more sustained reflection upon both the facilitative potential of social networks and their shaping, as hypothesised by Peter Blau (and developed by Miller McPherson and Noah Mark), by way of homophilic attraction in ‘social space’. The paper covers a lot of ground and is intended as a sketch which subsequent work will fill out. [ABSTRACT FROM PUBLISHER]

In recent years, many different versions of relational sociology have appeared. In this paper, I present a critical realist version developed since 1983, which is also called ‘relational theory of society’ (CRRS). It shares with the other relational sociologies the idea of avoiding both methodological individualism and holism. The main differences lie in the way social relations are defined, the kind of reality that is attributed to them, how they configure social formations, and the way in which their changes are conceived (morphogenesis and emergence). In particular, this approach is suitable to understand how the morphogenesis of society comes about through social relations, which are the connectors that mediate between agency and social structure. The generative mechanism that feeds social morphogenesis resides in the dynamic (that is, in their ways of operating) of the social relations networks that alter the social molecule constituting structures already in place. Social morphogenesis is a form of surplus of society with respect to itself. Society increases (or decreases) its potential for surplus depending on processes of valorization (or devalorization) of social relations. [ABSTRACT FROM PUBLISHER]