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The paper, starting from the draft of 73 Rules Museum proposed by Panizzi to the Trustees in March 1839, aims at bringing out Panizzi's underlying design for the new alphabetical catalog of the British Museum. Two temporal perspectives are crossed in contextualizing the process of drafting the rules: one of shorter duration, with a focus on items and actors of a confrontation that became intense between 1834 and 1839; and another, of a wider time span, aimed at reconstructing the conflicts of bibliographic cultures, the lines of tradition and the originality of Panizzi's approach. At the bottom of the draft, there is an intellectual wager: although in the context constraints, to go beyond the boundaries of the English bibliographic traditions of the time by opening up to other bibliographic cultures. The most stimulating perspective comes from Audiffredi's lesson mediated by a principle of exactitude which, if in the most immediate references has roots in the highest peaks of the contemporary French bibliographic culture (Barbier and Querard), draws its sap from the erudite tradition of the Italian eighteenth century (Tiraboschi). The paper discusses whether and what changes were made to this design in the passage from 73 to 91. [ABSTRACT FROM AUTHOR]

For over twenty years public institutions and foundations committed in cultural heritage curation and preservation worked up methodologies, strategies and techniques for long-term digital preservation of digital resources. Thanks to a relevant number of initiatives and services carried on by international institutions and specialized agencies, public and private libraries reached a high level of awareness in this field which requires continuous adaptation due to the constant evolution of publishing industry and the rapid emergence of Open Science. After a quick review of digital preservation milestones, this article looks at some emerging trends and issues which characterize the constant transformation of digital preservation landscape. Dynamic generated digital contents and Open Science to fulfil findability, accessibility, interoperability and reuse (FAIR) of digital assets are engaging new challenges for existing digital preservation services. Digital curation and digital preservation are deeply merged and proceed in parallel to assure long-term usage of digital resources and data. How to select and deploy digital preservation platforms is another complex area where Cloud services can offer the opportunity to reduce the costs of technical infrastructures maintenance and management. Policy and decision making institutional levels need more awareness to draw up digital preservation strategies and to activate services to assure digital contents and data long-term access and reuse. Finally the paper suggests to promote "digital preservation by design" as a new base rule to be applied since the conception of every project and initiative in the cultural heritage, scientific and academic contexts. [ABSTRACT FROM AUTHOR]

In the field of archival publishing, the transition phase in which the relationship between print and digital was in contrast is considered closed and it’s time to move towards a new model of integration. It would be time to start a more mature reflection, in the perspective of imagining a dialectical relationship, not of contrast but capable of overcoming indifference in view of a fruitful integration. For this purpose, this paper provides some ideas and some proposals for work, in the hope that the academic world, Anai and Directorate General Archives will start in collaboration shared work. [ABSTRACT FROM AUTHOR]

The paper aims to illustrate how, between the 19th and 20th centuries, the practice of archival inventory was established even in Italian municipalities, in relation to the calls of the Ministry of the Interior, the indications of a developing discipline and professional manuals exemplifying practices and models. Through the use of diagrams, we trace the development of the inventory in the local context, which initially has a patrimonial connotation, but gradually takes on a cultural function. [ABSTRACT FROM AUTHOR]

Open peer review (OPR) is a type of review that has long since made space alongside the more well-known single-blind and double-blind peer reviews. Despite this, we still do not have a shared definition by the scientific community and publishers. The purpose of this paper is to offer some reflections on the selection of reviewers in OPR, a process that in its current configuration is traced back to the 19th century. After a brief overview of the best-known definitions of open peer review, the paper continues with an analysis of some aspects of reviewer selection carried out with the help of data from a recent survey. [ABSTRACT FROM AUTHOR]

In the last few years, artists' archives have gained a central role in the debate on the nature, treatment and valorization of 20th century and contemporary archives. They are fascinating and precious aggregations, characterized by a plurality of documentary typologies and by specific requirements for their description. Starting from the definition of personal archives, the paper proposes a definition of artists' archives and then attempts to indicate their main characteristics, contents and elements of complexity. Finally, the paper attempts to establish a dialogue between archivists and artists, collectors, gallery owners, critics and curators in order to find common elements and differences in their actions. [ABSTRACT FROM AUTHOR]

In the nowadays world characterized by complexity, the digital systems for archival and bibliographic description are, especially in Italy, a faithful mirror of too many horizontal (among bodies with national functions) and vertical (among central and peripheral levels) complications. The integration of data sets conceived according to the up-to-date conceptual domain models would simplify the dynamics of representation, improve user experiences, and optimize the environmental costs of computing infrastructures. The concepts to be shared should relate to agents (individual or collective), places, and chronological data, deepening on how to address the more complex issues opened by things. This paper introduces three possible scenarios of semantic cooperation between archivists and librarians, not necessarily alternative: activating a conceptual matching through common entities, relying on a neutral semantic data infrastructure such as Wikidata, or, finally, developing a transversal core ontology. Hoping that disciplinary boundaries will not impede cooperation, two types of impediments must be considered: the organizational one (bottom-up, top-down, or a virtuous synergy between the two organizational models?) and the crucial issue of offering easy-to-use interfaces to end users, not only constituted by software agents. [ABSTRACT FROM AUTHOR]

The paper presents an analysis of user tasks in the conceptual models, with an overview of the objectives and functions of the catalogue from Cutter to the International Cataloguing Principles, a critical reflection on user tasks and a proposal for a rethinking of these. The user tasks as presented in the conceptual models present critical aspects, in particular they do not bring out some important aspects concerning the users' motivations for searches and the users' competences. The presentation of some critical aspects of user Ttasks is followed by an initial proposal for a more complex reflection on how users use catalogues to carry out searches of different kinds. [ABSTRACT FROM AUTHOR]

Since many years libraries, archives and museums, the institutions entrusted with the dissemination and conservation of cultural heritage, contributed to metada standards definition, meta-dating methodologies and metadata representation in different syntaxes, by partecipating to national projects and international initiatives. Management systems and catalogs used in these contexts borrow from information and telecommunication technology tools, metodoligies and techniques to generate, organize, share and use various types of metadata. But the Information and Communication Technology (ICT) area is not only a supplier of technological tools and solutions as it also constitutes a rich basin in which metadata plays a fundamental role in designing architectures, modeling information systems and implementing services. Through an overview that includes national and European initiatives, especially in the digital transformation process of the public sector, this paper aims to offer a look to metadata beyond the traditional boundary of libraries and other cultural institutions and to underline some relevant aspects such as standardization, sharing, reuse and metadata quality assessment. This framework highlights the need to carry on with the path of cooperation between different functional domains and organizational contexts in order to consolidate and extend the (re)use of metadata schemes, ontologies and controlled vocabularies both in the redesign of digitized processes and in the implementation of services supporting them. By undertaking since design early stages a multidisciplinary approach based on metadata standards can ensure greater flexibility and higher interoperability. This vision requires the enhancement of intersectorial skills that meld metadata methodologies and syntaxes representation basic knowledge with the ability to model functional domains using metadata schemes and ontologies. [ABSTRACT FROM AUTHOR]

The aim of this paper is to study the technological implementation of the emergent bibliographic models (IFLA LRM in particular) taking into account one of the most widespread platforms for the semantic web, namely Wikibase. Different initiatives of implementation of LRM have been taken into account, included: a) a prototype cataloging interface; b)the implementation of the new cataloging system for the Bibliothéque Nationale de France (Bnf); c) a test of use of one of the feature of the Wikibase data model - namely the "qualifier" - to find a sustainable solution for the LRM nomen entity. Wikibase and his data model cannot be considered the magical unicorn that solves all problems. More in-depth analysis and tests are needed, but - as an intermediate result - we can consider Wikibase a promising platform also in the bibliographic field with a low entry barrier. [ABSTRACT FROM AUTHOR]

The article deals with the themes of integration between the different cataloguing and disciplinary descriptive traditions. It initially evaluates the transition phase from methods to established practices up to the new solicitations caused by the transformations of information production models. Lastly, the paper focus on the theme of the reconceptualization of domain languages to move on to outline the concept of metacataloguing as a possible descriptive synthesis. [ABSTRACT FROM AUTHOR]

This paper aims to give a new definition of the word "Archives" as a result of an accurate survey of doctrinal orientations on this specific subject, analyzing - word by word - each particular lemma which makes up the new proposal. Even though there is no definition that is valid in every context, but archival theory seems to suffer largely from a heterogeneous vision, downstream of a rigorous scientific journey, but dense of conceptual and lexical unexpected contingencies. Each term - with meanings and contexts - does not constitute a simple signifier, but refers to a specific baggage of every disciplinary and cultural tradition. For these reasons, we will attempt to provide an overview of the definitions of archives, from the particular to the general. [ABSTRACT FROM AUTHOR]