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There are significant disparities in mental health care between First Nations and non-Indigenous people in settler-colonial nations. This paper, authored by a crosscultural and interdisciplinary team, argues that settler-colonial legislation, the tools and technologies of architecture, and the clinical practice of psychiatry are all implicated. Taking inspiration from Tanganekald, Meintangk-Bunganditj legal scholar Irene Watson, who yearns for freedom to roam across Country and connect with the land of her ancestors, we propose tactics for 'roaming' from the conventions of architecture and psychiatry to decolonize our practices. These include yarning, walking Country, and representing these itinerant practices through wandering lines. The outcomes are processes for developing new therapeutic places and practices for mental health care. [ABSTRACT FROM AUTHOR]

“Urban Threads” was an architectural installation that explored the ways in which those without land, money, and power shape the urban fabric, in particular the private territories that are staked out in the public realm and the spatial practices that connect them. All creative works in the installation were produced by women who were homeless in the context of a support group, TimeOut @ The Place, run by a collaboration of welfare agencies in Melbourne. Nine sites, located in minor lanes and alcoves in Melbourne’s Central Activities District, each housed “bedrooms” and “WAR(d)robes,” a “dining room,” and a “Living Room.” The “Path of Most Resistance (and Least Distance)” was marked out between them. The installation was conceived of and curated by the author as part of a PhD by Creative Works. The question “to what extent can architecture be ‘tactical’ (de Certeau’s definition)” is at the basis of the project. [ABSTRACT FROM AUTHOR]