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The author presents a criticism of the Norwegian television program "SLAM." She mentions the use of social media both within and regarding the program about the lives of teenagers, how the narrative strategy works to include the audience, and the sense of group belonging as a theme in the show.

The author presents a criticism of Australian films and television programs depicting World War I. He discusses the focus on the campaign in Gallipoli, Turkey, the issue of masculinity as representing the nation in the films and programs, and the sense of subversion in the narrative form.