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This paper explores the class complexion of the English and Welsh countryside utilising the National Statistics Socio-Economic Classification (or NS-SEC), as well as reflecting on the value of this classification given claims as to the "death of class" as a meaningful subject of analysis. The paper situates analysis using the NS-SEC in a paradoxical context, whereby its very use appears, on the one hand, to demonstrate successful incorporation of academic constructions of class into the agencies of governmental social statistical production, while, on the other hand, academic discourses, including some within rural studies, appear to have undermined its very rationale. The paper argues that the classification lends support to claims that rural studies have used an overly aggregative concept of the middle class that obscures the spatial distribution of classes in the British countryside, although interpretation of the classification also needs to consider a range of broader criticisms of class analysis. The paper concludes by suggesting that the paradox surrounding the classification and rural class analysis more generally might be viewed through Latour's, [1999. Pandora's hope. Harvard University Press, London] concept of knowledge as a "circulatory system."

An analysis of television dramas in Great Britain reveal a romanticized version of rural life, reducing it to an idyllic representation of the middle class. Topics include social identities and geography as cultural construct.