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This paper investigates if and how cities conceive of festivals staged in outdoor public space as a means of achieving cultural inclusion policy objectives. The inclusion of culture in the UN Sustainable Development Goals (SDGs) creates an imperative for cities to scrutinize their approaches to making their cities inclusive. Festivals offer potential in this regard and this study examines the ways that Barcelona, Dublin, Glasgow, Gothenburg and London incorporate festivals into cultural inclusion policies. It relies on secondary research to critically analyse a range of current policy documents, informed by Ball's ideas about policy contexts: (a) of influence, (b) of policy text production, and (c) of practice. Findings confirm existing assessments of the festival landscape as being complex. They show that while the cities studied have a long history of strategizing about festivals, this has not yet led to dedicated policy attention. Overall, in line with work by Whitford, Phi and Dredge, a market-led approach to festivals dominates, although evidence of a policy rhetoric linking festivals to cultural inclusion is present. Nevertheless, the findings suggest that policy thinking about how festivals can achieve cultural inclusion is neither sufficiently comprehensible nor "joined up" across relevant policy domains. [ABSTRACT FROM AUTHOR]

It is widely held that social capital can help build sustainable communities, yet researchers agree that further research is needed to fully understand the social dimensions of sustainable development. In event settings, understanding how social capital is formed remains limited. This paper addresses this issue by examining the extent to which the UK City of Culture 2013 (CoC13) succeeded in building social capital in post-conflict Derry/Londonderry. The authors adopted a case study approach and mixed qualitative methods in the form of in-depth interviews and focus groups. The findings suggest that CoC13 helped to generate both bonding and bridging social capital, however, while intra community bonds were strengthened, exclusivity was also fostered. More positive were the examples of bridging capital cultivated across communities, particularly between young attendees, and between event organisers, with cooperation building trust and goodwill between volunteers. Some of the cross community relationships developed have been sustained. However, the lack of legacy planning has meant that the long-term social goals have not been met. In summary, the study suggests that in a post conflict society, events can help build social capital. However, in the absence of legacy planning, the benefits gained may soon evaporate. [ABSTRACT FROM AUTHOR]

This paper problematises the term ‘festival tourism’. It conceptualises festivals as socially sustaining devices and argues that while they frequently function as tourist attractions, their social significance extends far beyond tourism. Using empirical material gathered in two case study arts festivals in Ireland, the paper demonstrates how festivals can contribute to arts development by inter alia creating demand for the arts, enhancing venue infrastructures, encouraging local creativity and animating local involvement. The paper contends that arts festivals, irrespective of their initial objectives almost inevitably develop tourist profiles over time and it proceeds to examine how changing tourism priorities in the two festivals studied impact upon sustainable festival practices. The findings suggest that tourism emerged as a key force promoting festival growth and expansion. It was found to be associated with increased revenue flows but also with increased arts activity on a year-round basis and with an improved venue infrastructure in both places. However, problems were identified with respect to the quality of the relationship forged between the festivals and local populations in the respective places. The paper concludes by arguing that festivals' engagement with tourism needs to be carefully managed in the interests of promoting the socially sustaining function of festivals and of encouraging sustainable approaches to tourism development. [ABSTRACT FROM AUTHOR]