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This paper examines the Chicago sociologist William F. Ogburn's (1886–1959) views about technological unemployment, which were intimately connected to his analysis of the social impacts of technological developments and resulting social problems due to cultural lag. We trace the development of his views as seen through his well‐known 1922 book, Social Change with Respect to Culture and Original Nature, his important contributions to the President's Research Committee on Social Trends (1933), and his lesser‐known pamphlets designed for a broader audience—Living with Machines (1933), You and Machines (1934), and Machines and Tomorrow's World (1938). He used these pamphlets to educate the public about the dangers of new machines and technological unemployment. In doing so, he drew upon sociological analysis in his professional scholarly writings and his long‐standing personal interests in social betterment and social reform. Our analysis also calls into question the adequacy of existing scholarship on Ogburn that has emphasized his commitment to a statistical, dispassionate, and "objectivist" approach to social science research. We call for a revised, richer, and more complex view of Ogburn's work and legacy as one of the nation's leading social scientists during the first half of the 20th century. [ABSTRACT FROM AUTHOR]

A biography of Franz Samelson, a historian of psychology, is presented. It discusses his birth and childhood years in Germany, his educational background, the event that attracted him to the possibilities of social research, Franz's dissertation in 1956, his involvement with social justice movements, and his impact on historians and on his students.

"Whose streets? Our streets!," a traveling exhibition that debuted at the Bronx Documentary Center in January 2017, brings together the work of 37 independent photographers who covered protests in New York City between 1980 and 2000. Collectively, they chronicle social justice struggles related to race relations and police brutality; war and the environment; HIV/AIDS and queer activism; abortion rights, feminism, and the culture wars; and housing, education, and labor. The exhibition and companion multimedia website demonstrate the role that photographers, activists, and ordinary people play in enacting democratic social change. They also highlight social protest photography as an important source for doing public history. [ABSTRACT FROM AUTHOR]