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This article provides a detailed examination of voice quality in word-final vowels in Spanish. The experimental task involved the pronunciation of words in two prosodic contexts by native Spanish speakers from diverse dialects. A total of 400 vowels (10 participants × 10 words × 2 contexts × 2 repetitions) were analyzed acoustically in Praat. Waveforms and spectrograms were inspected visually for voice, creak, breathy voice, and devoicing cues. In addition, the relative amplitude difference between the first two harmonics (H1–H2) was obtained via FFT spectra. The findings reveal that while creaky voice is pervasive, breathy voice is also common, and devoicing occurs in 11% of tokens. We identify multiple phonation types (up to three) within the same vowel, of which modal voice followed by breathy voice was the most common combination. While creaky voice was more frequent overall for males, modal voice tended to be more common in females. In addition, creaky voice was significantly more common at the end of higher prosodic constituents. The analysis of spectral tilt shows that H1–H2 clearly distinguishes breathy voice from modal voice in both males and females, while H1–H2 values consistently discriminate creaky and modal voice in male participants only. [ABSTRACT FROM AUTHOR]

We investigate utterance-final voice quality in bilinguals of English and Spanish, two languages which differ in the type of non-modal voice usually encountered at ends of utterances: American English often has phrase-final creak, whereas in Mexican Spanish, phrase-final voiced sounds are breathy or even devoiced. Twenty-one bilinguals from the San Diego-Tijuana border region were recorded (with electroglottography and audio) reading passages in English and Spanish. Ends of utterances were coded for their visual voice quality as "modal" (having no aspiration noise or voicing irregularity), "breathy" (having aspiration noise), "creaky" (having voicing irregularity), or "breathy-creaky" (having both aspiration noise and voicing irregularity). In utterance-final position, speakers showed more frequent use of both modal and creaky voice when speaking in English, and more frequent use of breathy and breathy-creaky voice when speaking in Spanish. We find no role of language dominance on the rates of these four voice qualities. The electroglottographic and acoustic analyses show that all voice qualities, even utterance-final creak, are produced with increased glottal spreading; the combination of distinct noise measures and amplitude of voicing can distinguish breathy, creaky, and breathy-creaky voice qualities from one another, and from modal voice. [ABSTRACT FROM AUTHOR]

This article provides a detailed examination of voice quality in word-final vowels in Spanish. The experimental task involved the pronunciation of words in two prosodic contexts by native Spanish speakers from diverse dialects. A total of 400 vowels (10 participants × 10 words × 2 contexts × 2 repetitions) were analyzed acoustically in Praat. Waveforms and spectrograms were inspected visually for voice, creak, breathy voice, and devoicing cues. In addition, the relative amplitude difference between the first two harmonics (H1–H2) was obtained via FFT spectra. The findings reveal that while creaky voice is pervasive, breathy voice is also common, and devoicing occurs in 11% of tokens. We identify multiple phonation types (up to three) within the same vowel, of which modal voice followed by breathy voice was the most common combination. While creaky voice was more frequent overall for males, modal voice tended to be more common in females. In addition, creaky voice was significantly more common at the end of higher prosodic constituents. The analysis of spectral tilt shows that H1–H2 clearly distinguishes breathy voice from modal voice in both males and females, while H1–H2 values consistently discriminate creaky and modal voice in male participants only.

This study relies on an interactional, conversational–analytic approach to elucidate what meanings Chilean Spanish speakers convey via creaky voice quality in informal conversations. Highly creaky utterances produced by 18 speakers were derived from a larger corpus of sociolinguistic interview speech from Santiago, Chile, and examined via an interactional approach that accounted for how creaky voice figured in the process of meaning-making and meaning negotiations throughout the conversation. Results indicate that approximately 40% of highly creaky utterances were used to organize the speaker's discourse, signaling the end of turns, hedges or uncertainty, and a change in communicative purpose, while the majority of the highly creaky utterances were used to invoke alignment with the listener via ensuring that their messages or stances were understood and potentially endorsed. This study offers evidence from a non-English language for creaky voice as a tool for both discursive organization and interactional alignment. [ABSTRACT FROM AUTHOR]

We investigate utterance-final voice quality in bilinguals of English and Spanish, two languages which differ in the type of non-modal voice usually encountered at ends of utterances: American English often has phrase-final creak, whereas in Mexican Spanish, phrase-final voiced sounds are breathy or even devoiced. Twenty-one bilinguals from the San Diego-Tijuana border region were recorded (with electroglottography and audio) reading passages in English and Spanish. Ends of utterances were coded for their visual voice quality as “modal” (having no aspiration noise or voicing irregularity), “breathy” (having aspiration noise), “creaky” (having voicing irregularity), or “breathy-creaky” (having both aspiration noise and voicing irregularity). In utterance-final position, speakers showed more frequent use of both modal and creaky voice when speaking in English, and more frequent use of breathy and breathy-creaky voice when speaking in Spanish. We find no role of language dominance on the rates of these four voice qualities. The electroglottographic and acoustic analyses show that all voice qualities, even utterance-final creak, are produced with increased glottal spreading; the combination of distinct noise measures and amplitude of voicing can distinguish breathy, creaky, and breathy-creaky voice qualities from one another, and from modal voice.

This study relies on an interactional, conversational–analytic approach to elucidate what meanings Chilean Spanish speakers convey via creaky voice quality in informal conversations. Highly creaky utterances produced by 18 speakers were derived from a larger corpus of sociolinguistic interview speech from Santiago, Chile, and examined via an interactional approach that accounted for how creaky voice figured in the process of meaning-making and meaning negotiations throughout the conversation. Results indicate that approximately 40% of highly creaky utterances were used to organize the speaker’s discourse, signaling the end of turns, hedges or uncertainty, and a change in communicative purpose, while the majority of the highly creaky utterances were used to invoke alignment with the listener via ensuring that their messages or stances were understood and potentially endorsed. This study offers evidence from a non-English language for creaky voice as a tool for both discursive organization and interactional alignment.