1. Completeness versus Incompleteness: Binary Codification of the Pop Song 'Que Marianne était jolie'
- Author
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Anne Wagner, Centre de recherche Droits et perspectives du droit - ULR 4487 (CRDP), and Université de Lille
- Subjects
Literature ,visual art ,business.industry ,Philosophy ,Interpretation (philosophy) ,incompleteness ,16. Peace & justice ,binary code ,Jolie ,[SHS.DROIT]Humanities and Social Sciences/Law ,Popular music ,semiotics ,French history ,completeness ,Completeness (logic) ,Realm ,Semiotics ,[SHS.LANGUE]Humanities and Social Sciences/Linguistics ,business ,Marianne ,Law ,Humanities ,pop music ,revolutionary song - Abstract
International audience; Que Marianne était jolie,” a well-known French popular song of the 1970s, is a space of possibilities, a realm of “cross-cultural events,” where interpretation is deeply rooted in French history and societal evolution. The main complexity in deciphering the coded meaning of its lyrics is to analyze the source space and time (first element of the binary code: the revolutionary codification), and to view how the same symbols were “appropriated, translated, rehistorized, and read anew” in the song (second element of the binary code: the republican codification). The use of visual art as an interpretative tool here aims at better decoding and reading the contexts, the concepts and the shifts in meanings, and ensuring we can comprehend the main character, plot, and settings implicit in this pop song
- Published
- 2017
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