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The article presents a literary criticism of the legal fiction written by Lowell Komie. She states that in Komie's legal fiction, art is present as both method and theme. Among the short stories she discussed include "The Interview," "Skipping Stones" and "I Am Greenwald, My Father's Son." She suggests that not far beneath the surface of Komie's legal fiction is a dark view of the law as a mechanism that rarely produces equity and is often fatal to life, love and beauty.

Presents the poem "Reading Poetry at the State Capitol on Saturday Afternoon," by Esther Cameron.

Presents the poem "Instructional Verses: The Path of Song," by Esther Cameron.

Presents the poem "You Almost Remember," by Esther Cameron.

Presents the poem "Social Security," by Esther Cameron.

Presents the poem "Marital Agreements," by Esther Cameron.

Presents the poem "The Bard Liadan, or Perhaps One of the Rishis, Considers the Information of a Time-Traveler," by Esther Cameron.

Presents the poem "Epitaph on a Landfill," by Esther Cameron.

Presents the poem "Corpses Clog the Litmags," by Esther Cameron.

Presents the poem "Song," by Esther Cameron.

Presents the poem "An Invitation," by Esther Cameron.

Presents the poem "The Unwritten Poem," by Esther Cameron.