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This article explores the relationship between traditional leisure activities and public space by studying Cantonese opera in the urban parks of Guangzhou, China. The approach utilises place construction theory to analyse the public space construction processes of Cantonese opera. This study found that Cantonese opera, as leisure embedded in the urban parks, constructs the park as a site of performativity and joyful togetherness. The local government constructs the urban park as a locale to celebrate traditional culture and market the city to its residents and visitors alike. Cantonese opera participants frequent the park and find it suitable for coordinating simple leisure activities and professional performances. This may be due to the perceived benefits of self-entertainment, health promotion and culture promotion. These factors, in turn, demonstrate the performativity of urban parks. As for joyful togetherness, elderly participants seek a sense of belonging and personal safety in urban parks by means of traditional leisure activities and social relationships, which help to ease the psychological impact of rapid urbanisation. During the place construction process, leisure participants gain an awareness of culture and space as part of this social ritual. Therefore, the influence of these operas extends to the local city and governmental spheres. [ABSTRACT FROM PUBLISHER]