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Abstract: In this paper we offer a panoramic overview of the development of Andean Spanish and Andean Linguistics, from a theoretical point of view of language contact and universal grammar. We discuss how the notion of Andean Spanish came into existence, the issues under debate, and the consequences of different theoretical positions. We also introduce the contents of the papers included in this special issue, and highlight their key points, framing them in the context of the research on universal grammar. The following five areas are covered: (1) the convergence of Quechua and Aymara, (2) the impact of bilingualism on intonation, (3) the sharing of suffixes in contact situations, (4) the modification of the present perfect tense in Spanish in contact with Quechua, and (5) the properties of the Quechua case system from the point of view of contact varieties. Finally, we provide some remarks on bilingual education, and some suggestions for further directions for future research. [Copyright &y& Elsevier]

Abstract This paper introduces the melodic characterisation of spontaneous Spanish presented by speakers from two regions in the north of Spain: Asturias and Navarre, based on a conversational corpus composed of 100 utterances emitted by 62 participants. It focuses on the intonation of the dialects, an aspect which is poorly investigated but highly relevant for characterising and distinguishing one from the other. The study is based on the Melodic Analysis of Speech method, a meticulous acoustic analysis through which exact values are obtained from spontaneous speech, which can then be compared. In short, the most notable coincident and divergent melodic features between the two dialects are: (1) the tendency of the two to present a first peak, more frequently tonic in Asturian Spanish and atonic in Navarrese; (2) an almost flat or slightly falling body of the contour with abundant internal inflections, which are also distinguished by the syllable where the rise ends: tonic in Asturian Spanish, and tonic and atonic in the final position of the word in Navarrese; and (3) more pronounced final inflections, with five different endings, and tonal fields, in the region of Navarre. [ABSTRACT FROM AUTHOR]