Search

This paper examines the changes and continuities in TV representations of Chinese Communist Party's revolutionary history and interprets them within the broader context of China's political, economic and cultural transformations since the 1990s. Drawing on a comparative analysis of three state-sponsored TV dramas produced between the late 1990s and mid-2010s, it traces how the state-sanctioned revolutionary narratives have changed over time in response to the Party's propaganda imperatives on the one hand, and to the market-oriented production environment on the other. The paper argues that while recent TV productions in the new century have made increasing concessions to audience taste by adopting visually stimulating depictions and introducing fictional characters as points of identification for the audience, the revolutionary narratives were still aligned with the Party's propaganda agenda at different times. This shows the ongoing competition between ideological and commercial interests in Chinese TV production during the era of market reforms. [ABSTRACT FROM AUTHOR]

An essay on "The rise and fall of investigative journalism in China: digital opportunities and political challenges" is presented. Discussed is President Xi Jinping who visited the three major state media outlets such as People's Daily, Xinhua News Agency and China Central Television where he emphasized the Chinese Communist Party's supreme role in media work.

Sometimes the Chinese dream is of sustainable development, of anti-corruption, of constitutionalism, of a clean environment, or of social harmony. Essentially, like the American dream or any dream for that matter, the Chinese dream can mean anything to anyone. However, more so than in ‘democratic societies’, where dreaming is free and extensively discussed, the authoritarian Chinese government and Communist Party seem to have a problem as these slogans do not resonate with the broader public, neither nationally nor internationally [ABSTRACT FROM AUTHOR]