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5 results

1. Serious Play, and Notes On Paper, in This Salon.

Author

Sulcas, Roslyn

Subjects
*CHOREOGRAPHERS, *LOFTS
Abstract

The days when choreographers had lofts in SoHo, where they lived, and friends came over and drank wine and watched works in progress, and threw some money into a bowl, and then everyone sat around talking about the dances, are over, no? Apparently not. [ABSTRACT FROM PUBLISHER]

Published
2010

3. Protesters Briefly Take Over a Gallery.

Author

Moynihan, Colin

Subjects
*CONCEPTUAL art, *ARTISTS, WALL Street (New York, N.Y.)
Abstract

The boundaries of Occupy Wall Street expanded beyond Zuccotti Park over the weekend, as a splinter group briefly took over an art gallery in SoHo. On Saturday, during a talk about conceptual art at the gallery, Georgia Sagri, a Greek artist, suddenly rose and shouted out, ''This is an occupation,'' witnesses said. About a dozen other people joined Ms. Sagri in declaring the gallery, Artists Space, an autonomous zone. They handed out fliers and taped pieces of pink paper to a wall headed ''Rules of the Space.'' [ABSTRACT FROM PUBLISHER]

Published
2011

4. Celebrating Fashion Essentials: Style, Beauty and Smoking.

Author

Trebay, Guy

Subjects
*MEALS, *ACTRESSES
Abstract

Highlights the dinner party to celebrate the appearance of actress Tilda Swinton on the cover of Paper magazine's latest issue at Jeffrey Deitch's gallery in Soho, New York City. Comment of Swinton while circulating during the moments before a dinner party; Accounts on the party; Names of celebrities attended the party.

Published
2004

5. Excavating What Dad Left Behind.

Author

Brantley, Ben

Subjects
*PERFORMING arts reviews
Abstract

What do you do with the detritus of your dead? All those hauntingly, definitively empty clothes; the papers that fill box after box; the books and the knickknacks; the forbidding, uninhabited furniture. The performance artist Cynthia Hopkins has provided her own solution for this emotionally fraught storage problem: she wears what her father left behind. It has become her theatrical costume. Ms. Hopkins makes her entrance as a geisha-faced clown in ''The Truth: A Tragedy,'' the angry ritual of grief that she is performing at the SoHo Rep, clad in cumbersome layers that disguise her body and distort her movements. Her skirt is made of neckties. She has several caps on her head. And all sorts of things lurk beneath her outer garments, including a small bell, a Japanese kimono, a limp carrot and a long necklace of eyeglasses. [ABSTRACT FROM PUBLISHER]

Published
2010