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The article offers criticism on the 15th-century riddle poem "I have a 3ong suster," written by an anonymous author. Topics examined include the definition of the word suster, which is believed to mean "beloved" or "sweetheart," possible sexual interpretations of the work and insights on the poem's exploration of identity.

The essay, reprinted from an earlier volume of the journal, presents a literary critique of the General Prologue from Geoffrey Chaucer's "The Canterbury Tales." Focus is given to the prologue's focus on girdles, belts and similar objects as a theme in the work. Commentary highlights Chaucer's use of the objects to criticize the lack of virtues in the religious figures in the story.

The article discusses the Old English poem "Juliana" by Cynewulf, with particular focus given to its use of rhetoric and the assertion of critics including Rosemary Woolf that it is an inferior, shallow work compared to the poet's earlier output. The poem's religious and cultural themes are also commented on.

The article provides an overview of criticism regarding the English poet Jonathan Swift's "scatological" poems, with particular focus given to critical reactions to their sexual, scatological, and misogynistic content. Poems including "The Progress of Beauty," "Strephon and Chloe," and "The Lady's Dressing Room" are commented on, and the application of psychoanalysis to Swiftian criticism is explored.

The article discusses the Middle English poem "Sir Launfal" by Thomas Chestre, with particular focus given to the poem's relationship to its sources, the "Landevale" manuscript and the poem "Lanval, Graelent" by Marie de France. Chestre's use of structure and departures from his sources in style and content are also touched on.