Connects Mikhail Bakhtin's philosophy of social heteroglossia to the centrifugal, entropic energies of dialect writing. Inhabiting others' speech and actual sound; Issue of rhythmic phrasing and intonation; Interorientation of languages and co-presence of idioms as artistic search for dialectalisms.
The article offers criticism on the poem "Self-Portrait in a Convex Mirror" by John Ashberry. The author looks at the symbols and linguistic technique in the poem and the depiction of the poetic person. The article also discusses the attempts for transcending textual limitations and the reconsideration of the possibility of otherness.
Published
1992
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