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2. From the editor

3. Robert Lowell's Onionskin Aesthetic

4. LANGUAGE AND LITERATURE IN THE WORLD: The Punch Line for Nineteenth-Century Women

5. A Deeper, Wider POOL: Reading Close Up through the Archives of Its Contributors

6. Archives, Authority, Aura: Modernism's Archival Turn

7. Landscape, Travel, and the Gaze in Experimental Film and Video

9. Mapping the Contours of Spiritual Oppression: Thematic Parallels of Magical Reality in O. V. Vijayan's The Legends of Khasak and Olga Tokarczuk's Primeval and Other Times

10. The Politics of Reconciliation: Revolutionary Leadership of Zitkala-Sa for Indian Education and Cause

11. Mandarin Oriental: The Cosmopolitan Stranger in Lisa See's Dragon Bones

12. 'To Start: I Should Never Have Been Born': The Antiheroine as Stranger in Gillian Flynn's Sharp Objects and Gone Girl

13. Trespass to Success: Breaking Rules and Solving Crimes in Colombia's First Woman-Authored Detective Series

14. The 'Madness' of What Wasn't Known Then: Reading Orphan of Asia through the Lens of Memory

15. Asian Encounters: Hybridity, Female Inheritance, and Intertextuality in Fiona Kidman's Songs from the Violet Cafe

16. Petites Histoires, Meta-perspective: Meaning and Narrative in Julian Barnes

17. Ethical Literary Animal Studies and Ecolinguistics: Approaching Animals

18. The Vulgarity of Spiritualism: Modernity's Privileged Discourses in Rachel Ferguson's The Brontes Went to Woolworths

19. Editors' note

20. Slow Ecocinema, the Forest, and the Eerie in Experimental Film and VR (360-degree) Nature Videos

21. Cinema Trouve: The City as a Moving Image

22. Time Traveling in Joseph Cornell's Bookstalls

23. States of Exception and Ends of Poetry in Paul Muldoon's Moy Sand and Gravel

24. Reflections of Antimodernism in Kingsley Amis's Lucky Jim

25. Language and Literature in the World: Thomas Hardy's The Woodlanders

27. A Double-Edged Sword

28. The Automobile as an Epistemological Question in John O'Hara's Appointment in Samarra

29. So Long a Letter: Mariama Ba's Migrating Text

30. Antonin Artaud--Vector

31. 'Worse than Two Fathers': Steampunk Pygmalion and a New Look at Double Standards and the Language of Things in the Digital Realm

32. LANGUAGE AND LITERATURE IN THE WORLD: <Academic Celebration of E. M. Forster in Ludwigsburg

33. Dispatches from the Appendix of Europe: Miroslav Krleza's Abject Modernism

34. Discourses of Decolonization/Decoloniality

35. From 'Purified with Fire' to 'That Impression of Permanence': Holgrave's Conversion in The House of the Seven Gables

36. The American Woman's Health: Stowe's Writings about Headaches, Health, and Home

37. 'What was It?': The avant-texte and the 'Grinding Feeling of Wretchedness' in Katherine Mansfield's 'The Fly'

38. Publishers' Series and the Archive

39. Disruptive, Generative, Collective: Adventuring into an Age of Digital Collaboration

40. Letting In the Right Let the Right One In: Sympathy for the Making of Fictional Sympathy

41. FORTHCOMING: Fictions of Circulation: Self-Conscious Global Literature

42. In Praise of Black Boys and Bad Men

43. Rereading and Reseeing: Visions and Voices in My Victorian Novel

44. Wading through the Flood: The Transcultural Counterwitness, Hurricane Katrina, and Video Poetry

45. Uncomfortable Truths: Queer Strangers and Gendered Necropolitics in Akwaeke Emezi's The Death of Vivek Oji

46. Interrogating Law-breakers and Lawmakers: Female Visibility and Agency in Spanish Crime Fiction

47. 'Women Are in Danger; They Are Also Dangerous': The New Face of Twenty-First-Century Crime Fiction

48. Strangers and Trespassers in Contemporary Women's Crime Fiction (2000-2020)

49. From Sausages to Hoplites of Ham and Beyond: The Status of Genetically Modified Pigs in Margaret Atwood's MaddAddam Trilogy

50. Narrative Self-Absolution and Political Tyranny in Moby-Dick and Darkness at Noon