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This article seeks to stimulate a fresh and inter-disciplinary debate which revolves around the need to move from a ‘senseless democracy’ that is insufficiently attuned to the dilemmas and challenges of fostering meaningful political engagement to a more ‘sensory democracy’. It achieves this by first exploring and dissecting recent works within democratic theory that emphasise the role of ‘watching’ and ‘listening’ within sociopolitical relationships. It then goes on to develop a set of constructive criticisms by applying insights drawn from the fields of practical aesthetics and applied theatre. Not only does this exercise allow us to take the analytical lens far beyond the focus on voice-based forms of expression that have hitherto dominated political analysis, it demonstrates the value of inter-disciplinary scholarship in exposing sensory-subtleties that raise distinctive questions for both politics ‘as theory’ and politics ‘as practice’. [ABSTRACT FROM AUTHOR]

There has been a notable surge in research on the shift from elected government to appointed governance. As the work of public bodies and the decisions made by their board members can impact upon the everyday lives of citizens, the extent to which their boards are both representative and diverse is of great salience. Focusing on the boards of public bodies in the UK, this article explores whether the Labour government's ambition to improve diversity in public appointments was achieved over its three terms of office, and seeks to explain why public boards have remained 'male, pale and stale'. [ABSTRACT FROM AUTHOR]