22 results on '"Aitken, Ian"'
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2. La Bête humaine, the evolution of French cinematic realism and naturalism 1902–38, and the influence of the nineteenth-century tradition
3. Transcendental illusion and the scope for realism
4. Introduction
5. Acknowledgements
6. Contents
7. Index
8. ‘The adequate presentation of the complete human personality’, Lukács and the nineteenth-century realist tradition
9. Bibliography
10. ‘And what about the spiritual life itself ?’, distraction, transcendence and redemption: the intuitionist realist tradition in the work of John Grierson, André Bazin and Siegfried Kracauer
11. From the ‘true style’ to the ‘art-form of the bourgeoisie’
12. Conclusions
13. Front matter
14. Dedication
15. Conclusions
16. From the ‘true style’ to the ‘art-form of the bourgeoisie’: the origins, characteristics, and theoretical foundation of the nineteenth-century French realist, and naturalist tradition
17. La Bête humaine, the evolution of French cinematic realism and naturalism 1902–38, and the influence of the nineteenth-century tradition
18. ‘And what about the spiritual life itself?’, distraction, transcendence and redemption: the intuitionist realist tradition in the work of John Grierson, André Bazin and Siegfried Kracauer
19. ‘The adequate presentation of the complete human personality’, Lukács and the nineteenth-century realist tradition
20. From the historical cinema of democratic humanism to the film Novelle: Lukácsian cinematic realism in Danton (1990) and Senso (1954)
21. Transcendental illusion and the scope for realism: cinematic realism, philosophical realism and film theory
22. Introduction
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