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Chapter 6 of the book "Revisionary Gleam: De Quincey, Coleridge, and the High Romantic Argument," by Daniel Sanjiv Roberts is presented. It explores the literary style of Thomas De Quincey that has attracted a good deal of attention and had the advantage of collection in the notable editions of Helen Darbyshire, John Jordan, and Frederick Burwick. It describes De Quincey's literary style as fascinating with the sole constancy that lies in his devotion to William Wordsworth.

Chapter 5 of the book "Revisionary Gleam: De Quincey, Coleridge and the High Romantic Argument," by Daniel Sanjiv Roberts is presented. It focuses on the intermediation of Thomas De Quincey to philosopher Immanuel Kant to the exclusion of other important German philosophical influences. It concludes with a disclaimer for the extended treatment of De Quincey's literary dealings with the Germans.

Chapter 4 of the book "Revisionary Gleam: De Quincey, Coleridge and the High Romantic Argument," by Daniel Sanjiv Roberts is presented. It examines the early engagement of Thomas De Quincey with the politics of language through his poetic diction and writings on the subject of language. It explores De Quincy's early encounter with Lyrical Ballads as evidenced in his 1803 Diary and his early correspondence with William Wordsworth.

Chapter 3 of the book "Revisionary Gleam: De Quincey, Coleridge and the High Romantic Argument," by Daniel Sanjiv Roberts is presented. It uncovers some of the contexts in which Thomas De Quincey has encountered Lyrical Ballads. It examines two episodes from the early life and autobiography of De Quincey in order to show the place of Lyrical Ballads in terms of developing his political consciousness.

Chapter 2 of the book "Revisionary Gleam: De Quincey, Coleridge and the High Romantic Argument," by Daniel Sanjiv Roberts is presented. It describes the theoretical ground of Thomas De Quincey as a political journalist in terms of Samuel Taylor Coleridge's influence from his suppressions of the past. It explores how a similar commitment to revolutionary principle informs De Quincey's politics and enters his critical discourse in the age of reform.

Chapter 1 of the book "Revisionary Gleam: De Quincey, Coleridge and the High Romantic Argument," by Daniel Sanjiv Roberts is presented. It explores the political writings and the relationship of English author Thomas De Quincey to English romantic poet William Wordsworth and Samuel Taylor Coleridge. Furthermore, it outlines De Quincey's recognition of the Lyrical Ballads by Wordsworth and Coleridge.