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This article intends to offer a reflection on the place of speech as a place of listening, discussing the voice as representation and as sound material, from feminist epistemologies. Through the discussion about listening related to place, I try to observe its constitution by processes of subjectivity and meaning. Presenting the imbrication of these reflections in the process of artistic research of three phonographic works, I try to highlight the different possibilities of the performance in relation to the sound creation in the construction of nomadic identities and hybrid territories. [ABSTRACT FROM AUTHOR]