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The paper tries to analyze this short story's iconographic version for the Biblioteca Mignon edition. The methodological approach follows the study of the topic and technical elements wich provide the peculiarities of the story that had not been examined previously. Subsequently, it comes to the icons analysis itself, from the drawer's interpretation. As conclusion, the iconographic version seems to be reduced to the external aspects and the impossibility for a deep text interpretation. [ABSTRACT FROM AUTHOR]

Among Navarres Romance own features we find, as it can be attested by the notarial scripta from the middle ages, the use of the velar spelling followed by oa, representing, in principle,/kwa/and/gwa/. Some of the considered Navarre's features are present in the late medieval Biscay's documents. Well then, the presence of these spellings in the Biscay's documentation does not involve any contradiction with the ascription of them to the Navarre's Romance. Thus, this paper attempts to analyze this phenomenon in the context of the Biscay's documentation and more concretely in that of the town of Bermeo, selecting for this purpose 30 original documents during the period ranged from 1237 to 1531. [ABSTRACT FROM AUTHOR]