Historically, many generational gulfs have existed between adulthood and youth, and music is one of them, this is due, in part by power relationships. The young people of Santiago are not an exception. Big gaps are opened thanks the differences about the musical tastes. However in Cuban case the education, conformation and satisfaction of musical consumptions and tastes must be also in hand of Culture institutions. This essay begins in the problematic inside the work of culture sector, about its design of proposal and strategic to leisure time, and how this work is away to young people interest. That´s why the scientific approaches since music sociology is justified, toward the musical consumer and tastes to fill the lacks in the action of institutions. The present paper shows the general view of methodological and theoretical frames of the future research on musical consumers. [ABSTRACT FROM AUTHOR]