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Architectural practice in the Stalinist USSR saw the sudden and rapid revival of historical forms and styles. One approach interprets this development as part of a reactionary shift in Soviet temporal culture, a "Great Retreat" across all spheres of social and political life. The rival conception sees in historicism an aesthetic of "timelessness" and "perfection," which expressed Stalinism's self-characterization as an eternal, utopian present. This paper presents a third perspective, arguing that the revival of historicism stemmed, paradoxically, from a future-oriented impulse. This revolved around the charge that Stalinist architecture "immortalize the memory" of the era, to ensure posterity's gratitude and admiration. Accordingly, Stalinist architects drew upon supposedly enduring historical styles, which they expected to remain understandable to future generations. Further, time-tested traditional materials, forms, and decorative mediums were employed to ensure the physical durability of Stalinist architectural monuments. The paper concludes by situating this logic in the global context of interwar monumental architecture and considering some implications for our understanding of Stalinist temporality. [ABSTRACT FROM AUTHOR]