Search

This paper outlines a version of 'live sociology' that enacts and engages with the openness and processuality of events. This is initially explored through a focus on everyday objects that, in their relationality, 'misbehave', potentially challenging standard sociological framings. Drawing on the work of Isabelle Stengers, it is suggested that such objects can be understood as 'idiotic' - possessed of an incommensurability that enables social scientists to 'slow down' and reflect upon 'what is busily being done' (not least by the social scientists themselves). This responsiveness to the idiot object is then contrasted to the proactive idiocy of Speculative Design. Here, artefacts - probes and prototypes - are designed to have oblique and ambiguous functions that allow both their users and designers to open up what is at stake in particular events. Examples taken from past and current research are used to illustrate how speculative designs can open up what 'the neighbourhood' and 'energy demand reduction' can be. The paper ends with a discussion of a possible 'idiotic methodology' and its implications for the conceptual and practical doings of social scientific research. [ABSTRACT FROM AUTHOR]

In this paper, I outline one strand in a genealogy of 'liveness', exploring the role of media in its emergence as a privileged spatio-temporal organization of experience. In order to consider the opportunities afforded by current developments in 'live methods' I then explore some of the implications for sociology of not simply studying practices of mediation but of inhabiting media, of being in medias res. Here I propose an amphibious sociology, for the potential it offers sociology to deploy methods reflexively in more than one medium, contrasting the methods of making distributive middles to the methods of establishing measures of representativeness, and exploring the opportunities and pitfalls of participation, or being in the middle. [ABSTRACT FROM AUTHOR]

This paper contributes to debates about the implications of digital technology for social research by proposing the concept of the redistribution of methods. In the context of digitization, I argue, social research becomes noticeably a distributed accomplishment: online platforms, users, devices and informational practices actively contribute to the performance of digital social research. This also applies more specifically to social research methods, and this paper explores the phenomenon in relation to two specific digital methods, online network and textual analysis, arguing that sociological research stands much to gain from engaging with their distribution, both normatively and analytically speaking. I distinguish four predominant views on the redistribution of digital social methods: methods-as-usual, big methods, virtual methods and digital methods. Taking up this last notion, I propose that a redistributive understanding of social research opens up a new approach to the re-mediation of social methods in digital environments. I develop this argument through a discussion of two particular online research platforms: the Issue Crawler, a web-based platform for hyperlink analysis, and the Co-Word Machine, an online tool of textual analysis currently under development. Both these tools re-mediate existing social methods, and both, I argue, involve the attempt to render specific methodology critiques effective in the online realm, namely critiques of the authority effects implicit in citation analysis. As such, these methods offer ways for social research to intervene critically in digital social research, and more specifically, to endorse and actively pursue the re-distribution of social methods online. [ABSTRACT FROM AUTHOR]

This paper examines the development of SPSS from 1968 to 2008, and the manner in which it has been used in teaching and research in British Sociology. We do this in order to reveal some of the changes that have taken place in statistical reasoning as an inscription device in the discipline over this period. We conclude that to characterise these changes as a shift from ‘causal’ to more ‘descriptive’ modes of analysis is too simplistic. Such a shift is certainly apparent, but it meshes in complex ways with a range of other – just as important – changes, that together mark a phase-shift in the functioning of sociological quantification. [ABSTRACT FROM AUTHOR]

The practice of live sociology in situations of pain and suffering is the focus of this article. An outline of the challenges of understanding pain is followed by a discussion of Bourdieu's 'social suffering' (1999) and the palliative care philosophy of 'total pain'. Using examples from qualitative research on disadvantaged dying migrants in the UK, attention is given to the methods that are improvised by dying people and care practitioners in attempts to bridge intersubjective divides, where the causes and routes of pain can be ontologically and temporally indeterminate and/or withdrawn. The paper contends that these latter phenomena are the incitement for the inventive bridging and performative work of care and live sociological methods, both of which are concerned with opposing suffering. Drawing from the philosophy of total pain, I highlight the importance of (1) an engagement with a range of materials out of which attempts at intersubjective bridging can be produced, and which exceed the social, the material, and the temporally linear; and (2) an empirical sensibility that is hospitable to the inaccessible and non-relational. [ABSTRACT FROM AUTHOR]

This article investigates the specificity of sociological materials and methods in relation to other disciplines and practices (art, literature, science and journalism) and questions the opportunities for sociological attentiveness, experimentation and failure in the context of contemporary UK professional, institutional and academic/ intellectual constraints. It asks whether materials and methods are 'sociological' to the extent that they tell about the problems of society, or whether it is the unique relation of sociology to its materials and methods that defines sociological practice. Exploring these questions in relation to a project that was researched and written during an extended period of unpaid leave (ie outside the profession and the institution), the article also examines some of the consequences of a changed relation between sociology and experience. What would be the implications if the aim of sociology was not only to theorize and explain experience but also, sometimes, to be an 'informed provocation' of experience? The second part of the article considers what the concept of 'make-believe' might offer sociology - not in terms of what sociology is, but rather in terms of what it does with its materials and methods. Finally, the article returns to the most common material that sociologists work with - words - and asks how it is possible to stay receptive to the vitality of words as forces in the research process. [ABSTRACT FROM AUTHOR]

Building on the range of methods available to the roaming sociological imagination, curating sociology is concerned with instituting 'live' public encounters. Contending that there are practices in the history of sociology that can be considered instances of curating sociology, this article makes a case for harnessing these to inventive research processes today. The discussion in this article draws attention to recent developments in curating before excavating a selection of practices within sociology upon which we can reflexively build live methods with consideration to creative collaborations, publicness and exhibiting as research. Each of these involves a degree of mutation within the craft of sociology. By way of illustration, the final section of the article explores an in-depth case study of curating sociology for the Noise of the Past project, which involved us, as sociologists, collaborating with creative practitioners and 'curating' a large-scale public event. [ABSTRACT FROM AUTHOR]

The article draws on recent debates about empirical sociology's methodological crisis that results from the emergence of sophisticated information-based capitalism and digital culture. Researchers face the challenge of 'newly coordinated social reality' in which social relations and interconnections exist across time and space. However, this challenge co-exists with an unprecedented opportunity to use digital multimedia to reimagine social research. In the face of these developments it is argued that the sociological craft needs to be invigorated by a renewed focus on its political purpose. Digital culture offers researchers the opportunity to develop new methodological devices. This vision is contrasted with a critique of dead sociology that is characterized as objectifying, comfortable, disengaged and parochial. The article argues for a live sociology, able to attend to the fleeting, distributed, multiple and sensory aspects of sociality through research techniques that are mobile, sensuous and operate from multiple vantage points. If researchers enact reality rather than simply reflect it, there is an opportunity to create sociological forms of representation that are more knowing and innovative than their antecedents. [ABSTRACT FROM AUTHOR]