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Alexander's invitation to a sociology of evil begins from the premise that the social sciences have long neglected direct analyses of evil. They have focused instead on questions of the good and treated its other as an absence or residual category. His most direct foray into this field must be read against his strong program in cultural sociology and his more concrete analysis of the development of narratives of the Holocaust as a moral 'trauma drama'. I argue that the analytic frame Alexander constructs in 'Towards a Sociology of Evil' is too narrow to achieve the ambitions declared in 'The Strong Program in Cultural Sociology'. A multi-dimensional social theoretical approach to evil must recognize that while its significations are clearly culturally variable, they also refer to something beyond the limits of discourse. [ABSTRACT FROM AUTHOR]

The practice of social theory is too often given to celebrity hunting, the polemical vulgarizing of one's putative enemies, or the precocious production of totalizing and redemptive theories purporting to rescue social theory from its perennial crises of meaning, naming and explanation. The constructive task of social theory, however, can be both more modest and productive when attention is given to its substantive concern to provide codes, narratives and explanations of modernity, in all its pluralist and democratic dimensions. This is in effect the self-description of Jeffrey Alexander's own work. This paper provides an empathetic account of Alexander's approach to the practice of social theory via a synopsis of his collected essays in Fin de Siècle Social Theory (1995). In particular, it claims that Alexander's critique of the reductionist propensities of Pierre Bourdieu's macro-sociological theory is exemplary in its constructive cast as a systematic analysis of the universalizing contents of the conceptual and methodological claims themselves. Herein lies the use of reason itself. [ABSTRACT FROM AUTHOR]

Alexander's call for a cultural sociology that goes beyond hermeneutic reading to an understanding of how cultural texts are instantiated in action is considered in relation to earlier attempts to establish a tradition of symbolic analysis in American sociology. The sociological provenance of the dramaturgical model that Alexander appropriates from performance studies serves to underline the precariousness of cultural sociology as a project within the American academy. Alexander's thesis on the critical importance of 'refusion' to the life of societies is endorsed, as is his argument that the specificity of 'post-traditional' societies cannot be elided by drawing directly on conceptual tools developed in analysis of ritual in 'traditional' societies. His argument for sociological agnosticism in relation to the moral qualities of symbolic action, on the other hand, is called into question. [ABSTRACT FROM AUTHOR]