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In order to understand the articulation between decoloniality and interculturality, it is necessary to analyze categories that include, on the one hand, historical aspects and, on the other hand, power relations and asymmetries. In this way, the need to assume a critical stance from the concepts of culture and coloniality becomes concrete. The objective of this article is to understand how western knowledge has generated a project of modernity, through discourses in which the construction of otherness goes through different processes of assimilation and incorporation of the other. These condition the adjustment of otherness, according to the dominant social standards, from essentialist conceptions, which ends in processes of differentiation and discrimination. The method used is the critical documentary review. The paper concludes that decolonization poses the challenge of dissociating itself from knowledge that distorts reality, and must distance itself from rationalities that fragment, classify, label and generate rhetoric with which social division is reinforced and segregation and exclusion are legitimized. [ABSTRACT FROM AUTHOR]

This paper analyzes the incommensurable and incommensurable nature of subalternity, which materializes a position without an identity whose intelligibility is complex, especially when we try to access the configurations of its ontopolitical schema. Subalternity constructs a binary opposition to the nation-state. It is necessary to fight for the production of new criteria of legibility of the educational and cultural subject. This problem is reduced to an obstruction in its ontopolitical and existential rules of intelligibility of a wide constellation of specific heterogeneous groups amalgamated through political, structural, relational, contingent and historical issues that determine their units of cultural legibility. The method employed is that of critical documentary review, organizing a critical corpus of review works derived from intercultural studies, subalternity and postcoloniality. Each of them are key to promote other types of epistemological performances in this regard. Among the main findings and conclusions, we note that subalternity documents a deeper methodological problem: we do not know exactly what the cultural and political agency of such groups consists of. The only thing we should not forget is that we, educators, are at the service of subaltern groups, our task is to learn from their environment, to become a disciple of their cultural space. [ABSTRACT FROM AUTHOR]

This paper presents, from an introductory point of view and oriented to non-experts in network theory, the fundamentals of graphs and networks that allow projecting information about cultural networks in a formal context. It also describes some of the most common measures and tools to design quantitative mechanisms for the subsequent analysis of these networks. This article does not pretend to be a complete course or tutorial on network theory, for that the reader can refer to any of the references listed at the end, but rather it is an introduction oriented to go through, in a single document, some of the details that are considered more important and that are usually leTh out of the initial explanations on the subject. [ABSTRACT FROM AUTHOR]

In this paper I examine both the uses and effects of the digital images spread by the "sequence groups" in Cali (Colombia). It is a live music offer accompanied by electronic recordings (sequences) that replace other musicians. This is a sort of cyborg production, of heteronomous human-artificial sounds articulated to the logic of "copy" proper to the popular globalization. I contend that images and relevance of visuality enable the humanization of these sequences through the management of emotions sought after by the performance. Likewise, the sequence creators try to instill the sounds with warmth. In the online communication images, beyond being advertising, weave the solidarity between colleagues in an unstable trade. I based this work on ethnography where I acted both as a researcher and flute player. [ABSTRACT FROM AUTHOR]

This paper provides some contributions (both methodological and empirical) by the photography in a sociological study on the urban art. It deals specifically with the graffiti and the street art. The central objective is to question how pertinent it is to use a photographic record as a tool for gathering information and carrying out a documentary analysis based on a dual action basis: on one hand, to highlight the methodological process in a research where the photograph is pivotal as a visual means, discussing critically on different views of the city. On the other hand, to provide examples on how the photography is relevant in the social universe under research, i.e., among the artists doing graffiti and street art. In these two cases, taking photographs of the works in the public space provides a double game: 1) as a tangible practice of legitimization and gaining prestige within a collective; and, 2) as a material proof for the recognition and appreciation of their artistic track record. The analytical framework includes to record in situ the produced images in different Latin American (Buenos Aires, Lima, Montevideo) and European cities (Amsterdam, Barcelona, Berlin, Lisbon, Paris, Porto). [ABSTRACT FROM AUTHOR]

This work resume the arguments by Hartmut Rosa on the acceleration as a trendy principle of modernity, thus studying in depth the reasons (the "drives") leading to this process. One of these drives -the one analyzed herein in detail- is the capitalist competition that fuels, added to other cultural and institutional aspects, the increase in the speed. Based on the works by David Harvey, this paper shows the directions and the logic reasons whereby the capitalism actually produces the acceleration. Then, it allows making two contributions to Rosa's theory: a discussion of the relationship between the different drives of acceleration; and a weighing of how important it is to take them under the sociological concept of social structure. [ABSTRACT FROM AUTHOR]

The coverage of the Colombian peace process by the national media meant a significant work of media representation starting by introducing the main events in their agenda and was followed by the production of a series of accounts whereby the media told these events and made sense thereof. By analyzing three cases, this paper describes how the media approached the peace process, focusing mostly on produced images. One of the main findings is that the iconography of the peace process --besides being ancillary to the written news-- accounts for the strong polarization of the different stances assumed by the official and political actors regarding the peace process. [ABSTRACT FROM AUTHOR]

From the inception of the Western culture, white color has been identified with light, being akin to each other. Therefore, white was identified with knowledge, God, primeval flare, and the first act of creation that equated whiteness to order and measure as opposed to the darkness of chaos. This paper provides a reflection on the persistence of the concept 'white' as a Western construct on the grounds of a perceptive prejudice that considers the disegno as essential before the chromatism, which is rooted in the Classicism and has remained almost intact up today. The perpetuation of this western aesthetic concept is examined to then conclude that, despite all the attempts to do a tabula rasa by the Modernity and the contemporary art, nothing has changed and it remains in force nowadays. Under an analytical approach, this work uses documentary references, mostly written, together with some other filmic and artistic ones. [ABSTRACT FROM AUTHOR]

Starting from the study of one's image and the society enemy's image in the margins of the State, this paper provides an analysis of the military logic on the notions of the human and the order in the TV show Hombres de honor (Men of Honor). The TV show displays an army committed to serve the civilian population, especially in the so-called conflict zones. It describes the human character of the military forces beyond their role as soldiers trained for the war. The analysis herein allows understanding both the sphere of power and the thanatopolitics providing the frame for the logic of the war actions in their image. The capitals at stake and the hierarchy in the military sphere were determined in the analysis and, based on it, this work explored the binary structuring and narratives on the law enforcement and the enemies of the society. In this context, the superiority of the army legitimizes the military values for the whole society from the biopower. [ABSTRACT FROM AUTHOR]

This reflection paper aims to provide insights into the gangs in El Salvador based on expressions of identity reconfiguration produced in the frame of a participatory photography experience with a group of men who belonged to those collectives. With their accounts, descriptions, and exercises of action-reflection they created an encounter of voices and views that dialogically analyzes, interprets and rebuilds some fragments from their realities, anchored to their realities and the meanings thereof. Identity in the context of a gang, the forms and meanings of violence as mediation in the social relationships, and the social stigma as a device producing the otherness are the three analytical lines allowing understanding how difficult it is to build an identity in the context of a stigmatizing society. All this also allows for the new self-concept built after the distancing from the violent practices as well as the awareness on the possibilities for change. [ABSTRACT FROM AUTHOR]

Argentina is the most sued country in the International Centre for Settlement of Investment Disputes (ICSID) and one of the most Bilateral Investment Treaties (BITs) signed (58 in total, 55 into force). Most of these lawsuits were filed by transnational corporations (TNCs) by the 2001-2002 crisis and linked to economic sectors related to natural resources. 20% of these claims are related to the drinking water and sanitation, which also makes Argentina in the country that has received claims in ICSID this sector. These are cases of social conflict and where the role of the state is evident as a regulator against the claim of protection of private property by TNCs, which highlights a legal asymmetry that favors the protection of investments on the protection of rights humans, particularly the human right to water recognized by the UN in 2010. Taking the Argentine case as a witness, this paper will present an asymmetry that violates the most basic foundations of international law, highlighting the need to revise the international investment protection regime and its relevance to the human rights obligations erga omnes. [ABSTRACT FROM AUTHOR]

This paper analyzes the communicative practices of a Colombian trans-woman scientist, biologist Brigitte Baptiste, when she speaks publicly about environmental issues on different media platforms. In the analysis, I explore the implications of Baptiste's public presence for the imaginaries of readers and journalists regarding science, scientists, and trans-people in Colombia. Leaning on certain feminist critiques of science, I analyze communicative practices as matters of care. Throughout the analysis, I find that care in Baptiste's public presence is performed through the ways in which she connects biodiversity and sexual diversity, thinking with trans-women's experiences to transgress the borders of science and connect it to activism and public service. I conclude that Baptiste's public presence in Colombia is an exceptional example of gender diversity acceptance in the present, though it does represent a speculative commitment towards embracing diversity in general in the future. [ABSTRACT FROM AUTHOR]

This paper presents a new theoretical framework for analyzing linguistic power relations and it examines the linguistic effects of what Anibal Quijano has called coloniality of power. The coloniality of language refers to a process of racialization of colonized people as communicating agents (ie, as potential interlocutors) that begins with the conquest of America and nowadays. The research focuses on the dehumanization of the colonized and enslaved populations, and the concomitant contempt of their languages and social ways of making sense, interpreted as expressions of his inferior 'nature'. The results are an original contribution to the debate on the historical relationship between colonialism, race, ethnicity, and language in America. The argument suggests that there is a connection between the reduction of the colonized and racialized populations to a status of non-humans, as well as a monolingual linguistic ideology that hides colonial oppression dialogically and discursively. [ABSTRACT FROM AUTHOR]

From the inclusion of Mexico in the OECD, this research paper attempts to answer the question of technological innovation for increasing the competitiveness of the four largest firms in the state of Quintana Roo, Mexico economically and socially based on their size and characteristics. The research was part of a study conducted in the southeast of Mexico and it was sponsored by the FORDECyT. The current model of the OECD (2009-2010) with standards on the appropriation of knowledge, adapted to the direct interview method was used for the analysis.Although the results showed a noticeable backwardness in the four companies analyzed regarding the appropriation of knowledge, they also show ethnic and cultural differences in the Maya peoples living in this region when it comes to social businesses. They adopt complete technological packages and / or globalizing market models. When facing the impossibility of adopting or appropriating socially the knowledge, they are dependent on their workforce or their ancestral patterns of production and exploitation of the main resource. [ABSTRACT FROM AUTHOR]

This paper is an invitation to think about art and the legacy of violence and injustice in the history of mankind and the efforts from different artistic projects on conflict resolution and the promotion of peace in the world. Some of these experiences are presented and analyzed and it is examined how they have been applied by different disciplines to solve or make progress on some of the problems society faces. It is also important to think about the use of art, theater and creativity as a methodological strategy and as an exercise of participatory research that allows transformative research in the field of violence and teamwork from the affected communities. [ABSTRACT FROM AUTHOR]

The intent of this article is to present, from a specific case, the multiplicity of intentions and discussions between indigenous organizations from Cauca, Colombia. I go back to the concept of ethnicity in order to understand indigenous organizations as arenas where ethnic processes are reconstructed, relationships are redefined and the way diversity is recognized is questioned. However, this paper focuses exclusively on the different expressions and relationships that exist within indigenous organizations, especially those created after the Constitution of 1991. For this purpose I present how the Education Program of the Eastern Cauca Territorial Council of Indigenous Authorities (COTAINDOC) and their main proposals emerged.I conclude that this program redefines its way of recognizing cultural diversity and relationships with other organizations and institutions. [ABSTRACT FROM AUTHOR]

The article explores the relationship between gender and cinema as a contribution to the study of representation in the field of social research. First, the basic features of visual culture in the global society are presented keeping in mind the identity and gender mindsets in this general and current context. Second, the historical links between feminisms and cinema are reviewed as well as between studies of gender and cinema, emphasizing on the theoretical perspective of Teresa De Lauretis. Third, it is postulated the use of film in the process of social research from an experience that - based on building an analytical look at the axis cinema / gender / society-pursued the objective of identifying, understanding and explaining the changes in the female identity in Korea from the senses and meanings that cinematic space condenses. This paper concludes highlighting the relevance and productivity of interweaving gender and film studies in the current problematic field of Social Sciences, deeply marked by a diversity of objects / subjects of study and 'new' epistemological, theoretical and methodological approaches. [ABSTRACT FROM AUTHOR]

In this paper we reflect on the motivations, agenda and commitments set within the context of the first international seminar "Afro female Conspiracy: Rethinking feminisms from diversity" held between June 24th and 25th, 2011 in Cali, Colombia. In this scenario, it was proposed to understand Afrodiasporic feminism as a process, a research agenda, a strategy of social mobilization, a practice of solidarity and a restorative justice claim. We establish connections between the proposals discussed in this scenario and a number of proposals on diasporic feminism formulated in Latin America, in dialogue with the U.S. black feminism and African feminism [ABSTRACT FROM AUTHOR]

In this paper we intend to address an analysis of the publication of domestic violence and femicide cases, through a survey conducted with four Argentine newspapers during the first half of 2012. We are interested in enquiring who the privileged representatives by the media are when reporting on the phenomenon, in order to distinguish the space of enunciation that the press gives to diverse actors. Through the analysis of the stories of aggressors, family, justice and victims, we intend to observe the diverse positions and the arguments involved and elucidate who has a louder voice in defining and fixing the interpretations of femicide and gender violence. Based on this, we seek to catch a sight of the reduced space women take up in a sea of voices in counterpoint. [ABSTRACT FROM AUTHOR]