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In order to understand the articulation between decoloniality and interculturality, it is necessary to analyze categories that include, on the one hand, historical aspects and, on the other hand, power relations and asymmetries. In this way, the need to assume a critical stance from the concepts of culture and coloniality becomes concrete. The objective of this article is to understand how western knowledge has generated a project of modernity, through discourses in which the construction of otherness goes through different processes of assimilation and incorporation of the other. These condition the adjustment of otherness, according to the dominant social standards, from essentialist conceptions, which ends in processes of differentiation and discrimination. The method used is the critical documentary review. The paper concludes that decolonization poses the challenge of dissociating itself from knowledge that distorts reality, and must distance itself from rationalities that fragment, classify, label and generate rhetoric with which social division is reinforced and segregation and exclusion are legitimized. [ABSTRACT FROM AUTHOR]

This work resume the arguments by Hartmut Rosa on the acceleration as a trendy principle of modernity, thus studying in depth the reasons (the "drives") leading to this process. One of these drives -the one analyzed herein in detail- is the capitalist competition that fuels, added to other cultural and institutional aspects, the increase in the speed. Based on the works by David Harvey, this paper shows the directions and the logic reasons whereby the capitalism actually produces the acceleration. Then, it allows making two contributions to Rosa's theory: a discussion of the relationship between the different drives of acceleration; and a weighing of how important it is to take them under the sociological concept of social structure. [ABSTRACT FROM AUTHOR]

From the inception of the Western culture, white color has been identified with light, being akin to each other. Therefore, white was identified with knowledge, God, primeval flare, and the first act of creation that equated whiteness to order and measure as opposed to the darkness of chaos. This paper provides a reflection on the persistence of the concept 'white' as a Western construct on the grounds of a perceptive prejudice that considers the disegno as essential before the chromatism, which is rooted in the Classicism and has remained almost intact up today. The perpetuation of this western aesthetic concept is examined to then conclude that, despite all the attempts to do a tabula rasa by the Modernity and the contemporary art, nothing has changed and it remains in force nowadays. Under an analytical approach, this work uses documentary references, mostly written, together with some other filmic and artistic ones. [ABSTRACT FROM AUTHOR]

This paper presents a new theoretical framework for analyzing linguistic power relations and it examines the linguistic effects of what Anibal Quijano has called coloniality of power. The coloniality of language refers to a process of racialization of colonized people as communicating agents (ie, as potential interlocutors) that begins with the conquest of America and nowadays. The research focuses on the dehumanization of the colonized and enslaved populations, and the concomitant contempt of their languages and social ways of making sense, interpreted as expressions of his inferior 'nature'. The results are an original contribution to the debate on the historical relationship between colonialism, race, ethnicity, and language in America. The argument suggests that there is a connection between the reduction of the colonized and racialized populations to a status of non-humans, as well as a monolingual linguistic ideology that hides colonial oppression dialogically and discursively. [ABSTRACT FROM AUTHOR]

This paper begins with a brief review of some antecedents that led to the current configuration of the world, particularly about what happened to the idea of nation and nation-state and the revolution of the general values in the postwar years and its rapid erosion in recent decades. Then it analizes the constitution of nation-states in the postcolonial world and the dream of modernity. It continues with an analysis of the transition from the field of "national" science in the nation-state regime to the delocalized research networks of the current phase. Subsequently it refers to the new global governance and the emerging forms of scientific and technical research. It concludes with some reflections on what is needed in the future in order to achieve a form of research that responds to the real and not cosmetic challenge of the co-design of knowledge, through the different existing borders in our unequal world, in real processes of co-construction. [ABSTRACT FROM AUTHOR]

This paper analyses the narrative uses of ideas and values in the Democratic Security-policies of Colombian president Alvaro Uribe's government, and in the symbolic donation of money from the Danish organisation, Rebellion, to the guerrillas of the FARC in October 2004. The article delves into depth in the epistemological implications of these narrative uses and their political consequences, suggesting that both are ways of totalising meaning and reinforce frames of understanding characteristics of modernity, legitimising violent practices. The theoretical frame-work is provided by the thought of the Latin American modernity/coloniality research program, phenomenological and existential anthropology, and I lannah Arendt's thought. The empirical material consists of Danish and Colombian media-representations on the donation, documents from Rebellion's web-site, field notes of conversations led with persons in Colombia on the donation, and interviews with a spokesperson from Rebellion. [ABSTRACT FROM AUTHOR]