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This paper develops a reflection on the elements that concurred in the late nineteenth century in Bogotá to form the notion of aesthetic canon. For the analysis of documentary sources we will refer to two illustrated publications: El Papel Periódico Ilustrado (Illustrated Newspaper), managed by Alberto Urdaneta, and the Revista Ilustrada (Illustrated Magazine), managed by Pedro Carlos Manrique. Such publications define themselves as platforms for the formation of taste and, within a set of political, religious and cultural conditions, allow us to see new processes in the formalisation of specialised culture through institutions such as the Escuela Nacional de Bellas Artes (National School of Fine Arts). The contribution of these illustrated publications becomes a reference to what will be the relation between art critique and the public, formulating notions of aesthetic appreciation and taste that we understand as programmatic in a project of civilisation. [ABSTRACT FROM AUTHOR]

This paper intends to provide an analytical framework on relevant aspects derived from the present research, which intended to explore and understand demobilized youth's subjectivity shifts, and the way some educational programs addressed to that community are coming to terms with them, as a part of those groups' process of return to civilian life. By the same token, a number of pedagogical reflections born from the educational experiences studied are brought into focus. Thus, this study intends to enrich the field of knowledge and discussion on the processes of return to civilian life. [ABSTRACT FROM AUTHOR]

This paper presents results from two research projects aimed at inquiring about socioeconomic stratification in Bogota from the perspective of its value as representation of social order and hierarchy. Although socioeconomic stratification was implemented as a targeting mechanism of subsidies for the poorest households with the objective to enable them to have domiciliary potable water, electricity, sewer, gas and telephone, the policy has deeply affected the way social differences are collectively evoked. Research results from projects conducted in Bogota between 2005 and 2007, based on a variety of sources and methods, are approached with a view on social representations as a group of ideas and practices that are collectively shared and socially generated. Conclusions deal with issues of stratification and socio-spatial segregation, as well as the present configuration of representations about social differences. [ABSTRACT FROM AUTHOR]

A specific form of social mobility, spatial mobility, is examined in this paper. Likewise, social representations by residents of different social strata are analyzed. The research project that the current results are based upon, deals with the effects of the stratification policy on paying public utilities and with social mobility. Spatial mobility patterns towards and within Bogotá are reviewed, as well as the way its inhabitants move around in the city by socioeconomic stratum. Finally, representations related to moral categories and social stratifications in the city are examined. [ABSTRACT FROM AUTHOR]