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This paper provides some contributions (both methodological and empirical) by the photography in a sociological study on the urban art. It deals specifically with the graffiti and the street art. The central objective is to question how pertinent it is to use a photographic record as a tool for gathering information and carrying out a documentary analysis based on a dual action basis: on one hand, to highlight the methodological process in a research where the photograph is pivotal as a visual means, discussing critically on different views of the city. On the other hand, to provide examples on how the photography is relevant in the social universe under research, i.e., among the artists doing graffiti and street art. In these two cases, taking photographs of the works in the public space provides a double game: 1) as a tangible practice of legitimization and gaining prestige within a collective; and, 2) as a material proof for the recognition and appreciation of their artistic track record. The analytical framework includes to record in situ the produced images in different Latin American (Buenos Aires, Lima, Montevideo) and European cities (Amsterdam, Barcelona, Berlin, Lisbon, Paris, Porto). [ABSTRACT FROM AUTHOR]

During the early sixties the term 'marginalisation' began to be used in Latin America in the social sciences to refer to the heterogeneous and inequitable effects of the processes of industrialisation and development. The term began to be used in the front-line between two paradigms in conflict, allowing for two different forms of interpretation: the notion of social or cultural marginalisation developed within modernisation theory, and the notion of economic marginalisation developed by dependence theory. This paper aims to review the characteristics that the concept of marginalisation acquired within each of these conceptual frameworks, focusing on works by Gino Germani, José Nun and Miguel Murmis. Last of all, the paper outlines the main arguments included in the contemporary form of the concept and its potential applicability to current circumstances in Latin America. [ABSTRACT FROM AUTHOR]

This paper presents a general discussion on the topic of Digital Humanities (DH) understood as a scientific and technological field that is being built worldwide and in which we should think, from the beginning, on the issue of relations between some research centers in the North that propel this field and others that follow the movement. To found this reflection, it retakes the analysis of the role of Science and Technology (S & T) in development and in a more precise way it observes what happens or what could happen in the field of DH. [ABSTRACT FROM AUTHOR]

This paper picks up the discussion on Norbert Elias' social development concept, as a theoretical model which may contribute to the sociologic and historical studies on indigenous peoples in Latin America. Highlighting the case of Manuel Quintín Lame in Colombia, overcoming the traditional visions of social scientists and aiming at new cognitive instruments is suggested here, in order to achieve a reading in the light of notions of figuration, process continuity and intercultural education. The aim is to go beyond the genealogic explanations with the subsequent search of alternatives in process sociology. [ABSTRACT FROM AUTHOR]

This paper presents some theoretical reflections on the political reality created by the Nasa movement on northern Cauca in Colombia, in order to posit new conceptualizations to understand ethnic movements in Latin America. The discussion begins with a brief review of some gaps found in studies about those social phenomena, to continue to analyse particularities and experiences of this community process starting from the following questions: how is the nature of the Colombian Nasa movement's indigenous politics expressed?; how could we understand its political reach in light of social movement theories?; how to analyse the dynamics of their collective actions along the last decades? These questions are answered through a theoretical approach that firstly focuses on understanding social movement political practices, to proceed with the proposal for a new typology of collective actions for these movements. [ABSTRACT FROM AUTHOR]