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Several letters to the editor are presented in response to articles in previous issues including one on Benedictine priest Dom Sylvester Houédard, the music release "Rescue" by Echo and the Bunnymen, and various events in the British music industry.

Several letters to the editor are presented in response to article in previous issues including a book review of Geeta Dayal's "Another Green World," by Sam Davies, an interview with musician David Grubbs by David Stubbs, and the article on the performer Broadcast titled "Multidimensional Pop."

Several letters to the editor are presented in response to articles in previous issues including a review of "My Cat is An Alien," another about the review of the films of Alejandro Jodorowsky and the article, "On Location," in the No. 280 issue.

Letters to the editor are presented in response to articles in previous issues including one about the new music release by Joanna Newsom in issue 273, another on the "Gdansk Queen," DVD in issue 274 and one about the band the Melvins in issue 274.

The article offers information on various artworks and music releases in Leeds, England. The artwork "Thin Air: The Psycho-Vocalic Discoveries of Alan Smithson," by Paul Rooney is commissioned by Leeds Metropolitan University. Alan Dunn's project share non-material concerns as those working at Leeds Polytechnic in the 70s. Hans Peter Kuhn's "Light Neville Street" is a sound and light installation intended to smarten up the approach to the city.

Several letters to the editor are presented in response to articles in previous issues of "The Wired" magazine including the Chris Watson cover in issue 319, an article on cosmic disco in issue 318 and the article "Keeping the Faith" in issue 318.

Several letters to the editor are presented in response to articles in pervious issues including "Bites," by Mike Kelley, "Invisible Jukebox," by Alan Licht, and "Outer Limits," by Jim Hayne.

Several letters to the editor are presented in response to articles in previous issues including Rob Young's comments on the linear notes for the re-release of Harold McNair's album "The Fence," Nick Southgate's interview with rock musicians Cath Tyler and Phil Tyler, and the review of Alan Licht's book "Sound Art: Beyond Music, Between Categories."

Several letters to the editor are presented in response to articles in previous issues of "The Wire," including the Die Todliche Doris and the Annea Lockwood article in the July 2006 issue and the Current 93 interview.