Search

Showing total 4 results
Start Over Search Limiters Available in Library Collection Search Limiters Peer Reviewed Publication Year Range Last 50 years Language spanish Publication Type Electronic Resources Journal zer: journal of communication studies / revista de estudios de comunicacion / komunikazio ikasketen aldizkaria Region united states
4 results

1. Caracterización de la regulación de la FCC.

Author

Carlos Miguel, Juan

Subjects
*BROADCASTING industry laws, *RADIO broadcasting laws, *BROADCASTING policy, *MASS media industry, *CIVIL society
Abstract

The Telecommunications Act, passed in 1996, establishes the necessity to look over, each two years, the rules and marks a new period of radio and broadcasting regulation in the USA. This paper tries to characterise the work of FCC in the USA radio and broadcasting industry, since that law, and specially, since the revision of 2002, which was stopped by the Courts, in the Prometheus case. This paper studies the definition of diversity underlying in the FCC intervention, and also in the work of the courts and the increasing influence of the civil society. [ABSTRACT FROM AUTHOR]

Published
2007

2. El código de producción de Hollywood (1930-1966): censura, marcos (frames) y hegemonía.

Author

de Austria Giménez de Aragón, Alfonso Maximiliano Rodríguez

Subjects
*MOTION picture censorship, *MOTION picture censorship laws, *MOTION picture industry, *HEGEMONY, *FRAMES (Social sciences), *IDEOLOGY & motion pictures, *TWENTIETH century, *HISTORY, HAYS Code (Motion pictures)
Abstract

Contrary to conventional wisdom, the Production Code was not an imposition of the Catholic Church. The forces that implanted the code were more numerous and powerful, and its main objective was to maintain its hegemony over society at a time when it was weakening. One of the main keys to the defense of economic and ideological status quo was the creation of primary frameworks that would serve to interpret social problems in a univocal way. In this paper I treat the establishment of the code from the perspective of the analysis of these frames. [ABSTRACT FROM AUTHOR]

Published
2016
Full Text
View/download PDF

3. El código de producción de Hollywood (1930-1966): censura, marcos (frames) y hegemonía.

Author

de Austria Giménez de Aragón, Alfonso Maximiliano Rodríguez

Subjects
*MOTION picture industry, *MOTION picture censorship, *MOTION pictures & ethics, *IDEOLOGY, *HEGEMONY, *FRAMES (Social sciences), *TWENTIETH century, HAYS Code (Motion pictures), HISTORY of the motion picture industry
Abstract

Contrary to conventional wisdom, the Production Code was not an imposition of the Catholic Church. The forces that implanted the code were more numerous and powerful, and its main objective was to maintain its hegemony over society at a time when it was weakening. One of the main keys to the defense of economic and ideological status quo was the creation of primary frameworks that would serve to interpret social problems in a univocal way. In this paper I treat the establishment of the code from the perspective of the analysis of these frames. [ABSTRACT FROM AUTHOR]

Published
2015
Full Text
View/download PDF

4. Repercusiones y cambios de las leyes de propiedad de medíos de comunicación. El caso de Clear Channel Communications.

Author

Alonso, Ana Segovia

Subjects
*MASS media, *FREEDOM of information, *PLURALISM, *TELECOMMUNICATION policy
Abstract

This paper tries to line out the importance of media policies today through a case study. We pay special attention to media laws for that reason, particularly the rules that limit media ownership. The making of the radio mogul Clear Channel Communications is a case study. This group took advantage of the 1996 Telecommunication Act, which virtually eliminated the radio ownership cap in the United States. This is a clear example of how media laws can draw the limits to media companies, allowing them to concentrate or not, and that way agreeing to or fighting for the decrease in pluralism. [ABSTRACT FROM AUTHOR]

Published
2004