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The present paper, entitled ( The Placed Time in Hizebr Mahmoud's Poetry ) attempts to find out the overlapping between the elements of time and place in the poetic texts, as two essential elements that are indispensable in each literary work. Hence, the study tackles the poetic texts that involve the placed time, i.e. the time which is overwhelmed and landed by the place. Then, the study explained and analyzed each text conspicuously, so that it becomes obvious to the reader how time becomes a place, utilizing the metaphor that is capable to make the different textual elements ( time, place and characters ) mutual in their roles in an exciting literary way that influences the reader, interested him, and get his attention . The present paper, entitled ( The Placed Time in Hizebr Mahmoud's Poetry ) attempts to find out the overlapping between the elements of time and place in the poetic texts, as two essential elements that are indispensable in each literary work. Hence, the study tackles the poetic texts that involve the placed time, i.e. the time which is overwhelmed and landed by the place. Then, the study explained and analyzed each text conspicuously, so that it becomes obvious to the reader how time becomes a place, utilizing the metaphor that is capable to make the different textual elements ( time, place and characters ) mutual in their roles in an exciting literary way that influences the reader, interested him, and get his attention . The relationship between time and place is an existential one. It is not possible to imagine a life without them combined, as they are the two correlative elements of existence, and one cannot be separated from the other. This research aims to monitor temporal terms whose significance has expanded to characterize the attributes of a place. So the texts could make what is (( history ))a place on one hand and could make the word (( yesterday )) as a place on the other hand. Moreover, it could derive ((the era )) as a place too, and the rest of the times that became places including events and characters. [ABSTRACT FROM AUTHOR]

The persuasive speech is regarded as a part of Al-Hhijjaj . Al-Hijjaj is associated with persuation as the association of the text with its function . we found in Ibn Abd Rabba poetry many persuasive styles especially in flirtation poetry . the poet used many rhetorical styles which he uses to convince the addressees in his flirtation . In this paper the terms persuation and flirtation have been defined linguishcally and as terminology the paper also showed the terms relevant to flirtation such as ( Al-Tashbeeb and Al-Naseeb ). It also clarified the types of addressees in Ibn Abid Rabba like Al-Mahbooba ( the beloved ), these who blamed him his love ( Al-Uthaal ), and companions . each of them has special methods in persuasive speech according to the poet desire . And we came out that the most interest of Ibn Abed Rabuh was to persuade the beloved and humiliating her to gain her affection with various persuasive methods, and he did not mention mentioning the idol, the lords, and the companions except in a few of them, making use of different persuasive methods from the use of the selected words for his purpose, the various rhetorical arts, expressive images, and poetic. [ABSTRACT FROM AUTHOR]

This research paper is devoted to create the term of ‘Creeping of Al-Khabab’ for describing one of the prosodic changes that come on the rhythm of Al-Mutadarak’s metre, as a term and concept. As the previous and contemporary views of those who interested in prosody did not provide an accurate view of its description, free from the anomaly of the prosodic rules that described by Al-Khalil bin Ahmad Al-Farahidi in regulating the work of creeping in the measures of the Arabic poetry meters, Therefore, this research paper provides a new dissertation for removing the ambiguity and anomaly described by the rhythm of this poetic meter. [ABSTRACT FROM AUTHOR]

This paper has tackled an art of poetizing of Persians which is called "Al Musamat" as one of arts quoted from Arabs. The importance of this paper represented by the Persian arts of poetizing that resulted from the impact of the Arabic poem on the Persians. The study mentioned the meaning of "Al Musamat" as a language and idiom, in which it was known by Arabs as art of Poem. Thereafter, the study explained the types of "the Persian Al Musamat" where there are three types, then the study mentioned the most famous of "Al Musamat", namely; Munochehry Al Damghani, Prince Muaazi, Sanaye Al Ghaznwey. However, Munochehry considered one of the poets of the fifth century (A.H), he was the first poet who used this type of poetizing in the Persian poem. Furthermore, his poem characterized by the clarity of impact of Arabic poem, in that, it shows its effect on the Persian poem. Finally, the study concluded the most important conclusions, and resources and references used for this paper. [ABSTRACT FROM AUTHOR]

The present paper sheds light on one of the pre. Islamic poets ; Namely be is Al Nabigha Al Thubiany in the light of deliberative methodology. The current study includes three types of indications as personal indications, spatial and time indications. The researcher relies on the poet 's voice to extract the texts which were mostly poems praise dedicated to kings, princes or to the poet himself as be brags and proud of his tribe. Some of poets signs are related to places where he remembered old things and his amorous that occupied his poem. Personal significances occupied many arts in the volume of al-Thubiany just like the addressed 's indications, speaker and the absent, while the spatial and time indications were less . The poet did not mentioned the spatial aspects, but they came in the context in contract to the time signs just like day, night and morning . [ABSTRACT FROM AUTHOR]