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With the exception of Ḥāzim al-Qarṭājanni, no scholar was able to interpret the form of the Arabic poetic verse (al-Bait) which consists of two symmetrical parts (al-Ṣadr wal-‘Ajuz). Based on the Aristotle’s idea of imitation, Al-Qarṭājanni explained al-Bait as an imitating mental image of the Arab tent. Though this is brilliant, it is still an inadequate interpretation. This paper attempts to introduce a new explanation by combining the phenomenological method with Neuroaesthetics via adapting some of its results to focus on the creative process itself. The paper, through theoretical and applied analyzes, reached a main conclusion that the form of Arabic verse is an allegorical image of the poetic consciousness which produced it, and an outcome of its metaphorical thinking represented by the interrelating of the function of the left hemisphere of the brain (thinking) and the function of the right hemisphere (imagination), which correspond to alṢadr wal-‘Ajuz respectively. [ABSTRACT FROM AUTHOR]

The present paper sheds light on the civilizational role of the Arabs especially the Sabaean Arabs in Abyssinia (Ethiopia) in which the importance of the geographical location of Ethiopia, the natural features and other factors were the main reason for the migration of some of Sabaean Arabs who settled and integrated with the original inhabitants. They made an ancient civilization that left its clear imprint on both peoples and history. The importance of this topic lies in its contribution to solve the problems that led to a controversy between historians and those who were concerned with the multiple lineages of the Sabaeans in the Torah, especially some of them who came from the sons of Kush, while the Sabaeans, as we know, came from Arabic origin. The current paper deals with several important topics, including the importance of the location of Ethiopia, the historical roots of the civilizational relations between Ethiopia and the Sabaeans, the Sabaeans' settlement in Ethiopia, and then the results of these ancient relations between the two parties. [ABSTRACT FROM AUTHOR]

This paper has tackled an art of poetizing of Persians which is called "Al Musamat" as one of arts quoted from Arabs. The importance of this paper represented by the Persian arts of poetizing that resulted from the impact of the Arabic poem on the Persians. The study mentioned the meaning of "Al Musamat" as a language and idiom, in which it was known by Arabs as art of Poem. Thereafter, the study explained the types of "the Persian Al Musamat" where there are three types, then the study mentioned the most famous of "Al Musamat", namely; Munochehry Al Damghani, Prince Muaazi, Sanaye Al Ghaznwey. However, Munochehry considered one of the poets of the fifth century (A.H), he was the first poet who used this type of poetizing in the Persian poem. Furthermore, his poem characterized by the clarity of impact of Arabic poem, in that, it shows its effect on the Persian poem. Finally, the study concluded the most important conclusions, and resources and references used for this paper. [ABSTRACT FROM AUTHOR]

After the expansion of Islam in the Arabian Peninsula, there was a great deal of mixing of Arabs with non-Arabs who wanted to convert to Islam and learn its Arabic language, which led to the expansion of the Islamic environment and the spread of the phenomenon of melody. Distortion, and they were not only confined to the matter, but went beyond the matter to explain these provisions, and the rules in order to establish them in the minds of the learners, or to support an opinion they adopted, or to explain a phenomenon they saw. For this reason, the grammarians resorted to adhering to most of the rulings with causes that explain their causes, as is the case for most grammarians who adopted the faults in their writings and paid clear attention to them. Al-Ajromiya) to highlight a part of the efforts of Sheikh Ismail Al-Hamdi (may God have mercy on him) in this field, who took from his entourage to Al-Kafrawi as a model, and he completed two papers after an introduction in which we dealt with the life of Sheikh Ismail Al- Hamidi, and made the first topic to explain the concept of grammatical reasoning, and what was written about that It was authored, and the second topic deals with the efforts of Sheikh Ismail Al-Hamdi in this field. [ABSTRACT FROM AUTHOR]

The Killing destroying and horror take a big Space in an old Arab poetry .There isn’t any strange about the poetry in Arabs .for example the horror in poet of Hund bunt wtabih – as areaserch which gives us many pictures about horror killing in her doing and Saying She took her revenge for killing of father and brother but she took their dead bodies after killing and made many oterrble style with them In these papers. I will explain .Some words about horror and we depend these in Hund. [ABSTRACT FROM AUTHOR]

This paper is concerned with prophetic hadith that is rooting a famous acoustic phenomenon, slanting particularly in styles of recitation and generally in classical Arabic . The study was divided into three aspects . Firstly it extrapolated the narratives of hadith in its resources, extracted the authentic text, showed its narrators, proved its authenticity, designated the linguistic significance showed the opinions towards its authenticity . Secondly it showed the phonetic significance of the slanting phenomenon in the hadith according to the languages of Arabs . Thirdly it confirmed the relationship between the slanting talk and the talk of revelation of Koran seven characters . [ABSTRACT FROM AUTHOR]