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This paper examines a statement from the Quranic verses in which the conjunction letter (Then) and its aesthetic secrets are mentioned. The paper is classified into three sections. The first section discussed the connotations of (then) and their meanings in Quranic verses, while the second section discussed the true meaning of the conjunction letter (then), which is laxity, and what was distinguished by this meaning as well as this signification through context. This indication is through context, so the title of the study was laxity between truth and metaphor. As for the third section, it has dealt with the allegorical connotations of (then) including the metaphor in exclusion and in arrangement and laxity as well. The researcher has taken the Quran text as a field for this application without any other text in order to be safe from plagiarism and error and to subject these semantic concepts and harness them to serve the Quran. [ABSTRACT FROM AUTHOR]

Husserl's reflections on art and aesthetics can be discussed in four parts. First, a comparison of the phenomenological and aesthetical attitudes focusing on existential disinterestness and the suspension of the external world is drawn. Second, there are Husserl's views on imageconsciousness which play a prominent role in understanding the work of art as a work of art, as well as its differences from other types of consciousness and its three-layer nature namely the physical substrate, the image-object, and the image subject. The third part concerns the division of art into the realistic, idealistic, and philosophical art. And the fourth part deals with the capabilities of Husserl's phenomenology to formulate a phenomenological theory of art. The concepts ‘artworld’ and ‘life-world’ as a framework or context play a crucial role in this regard. In this paper, it has been tried to point out some of these capabilities according to the basic elements of phenomenology such as opposition to reductionism, presuppositionless investigation, anti-psychologism and anti-naturalism, descriptive method and “going back to the things themselves”. Accordingly, the phenomenological aesthetics emphasizes more than anything the intentionality of aesthetic consciousness and the relationships between the subjects of the artworld, and seeks the foundation of art and the work of art in these intentionalities and relations. It can serve as a basis and framework for traditional aesthetical theories. [ABSTRACT FROM AUTHOR]

This article offers a close reading -both grammatological and textcantered- of debut author Tasia Veneti's work, in order to demonstrate its historical and aesthetic correlation with the Epirote literary tradition, as well as with Modern Greek prose writing of the 19 th century, with pretensions that far exceed the expectations of a first work. The paper focuses, in particular, on the writer's gendered perspective, with respect to the primacy on her part of the female experience and narrative perspective, which significantly differentiates her work from her contemporary Epirote fellow-writers. The female experience of Epirus, based on the cruelty of lived reality, intrinsically linked to space in its physical, historical, and social dimension, forms in Veneti, as I hope to show, a genderdetermined ethographic, naturalistic and by definition realistic aesthetic, which is its own. [ABSTRACT FROM AUTHOR]

The renowned poet Nizar Qabbani is a prominent name in the world of poetry; his name is well known to those interested in Arabic literature. Although people may differ on his poetry and the moral judgment on it, they do not differ over his poetic authority or his poetic presence in the literary world. Many have written on aesthetics in his poetry, but no one has indulged in studying "the ugly" in Nizar Qabbani's poetry. This paper will investigate the manifestations of ugliness in his poetry, and the aesthetics of this ugliness. In Kabbani's poems, we can think of estetik ugliness Kab in three different general aesthetic frameworks. The Peoples whose will taken away from them Conflicting bully male model, Ugly female model, In this study, we will examine The Peoples whose will taken away from them. [ABSTRACT FROM AUTHOR]