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Copyright of Journal of Kirkuk University Humanity Studies is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Arts for Linguistic & Literary Studies is the property of Thamar University and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Anbar University for Languages & Literature / Magallat Gami'at Al-Anbar Li-Lugat Wa-al-Adabl is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal of Human Sciences (19922876) is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

Copyright of Journal Dawat is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)

At the end of the research, there is a conclusion in which the researcher presents what he reached at the end of his research, which is as follows: The collections of contemporary Islamic poets filled with poems pertaining to the mother, The topics pertaining to the mother that the poets discussed varied, so it came from them in the mother's lament, praising the mother, the mother's scientific standing, nostalgia for the mother, and other topics that the researcher paused in the objective study, With regard to the language of expression among the poets, we found the poets to rely on a lexical lexicon that fits the topic the poet talks about and expresses his thoughts and feelings towards, The multiplicity of methods chosen by the poets, some of them are of the constructive methods represented by a group of methods, including: inquiry, appeal, wishful thinking and others, and some of them followed the style of storytelling in expressing their affection towards the mother, The poets were distinguished by coloring their poems in various poetic images, including the analogous image that had a clear presence in the selected texts with regard to music, their poems were distinguished by the external music represented by rhythm and rhyme and the internal music represented by repetition, counterpoint, alliteration and dashing. [ABSTRACT FROM AUTHOR]

Rhythmic repetition - a study in the structure of the lamentation method in the divan of al - Khansa - The research is applying Paul Valery's definition of literature that is : ((literature is not but a kind of the expansion and applying for some of the terms of speech specification)), which has assumed a clause to be the nucleus of a verbal expanding for the divan's language, made up of some elements that is : the eye, crying, tears, and Sakhr, in a stylistic rhythmic process based on repetition; that monitors the stylistic manifestations, the semantic aspect , and the verbal alternatives in the divan, that sentence is: ( cry my Eye for sakhr with a tear .. ) so (the eye) repeated itself at the beginning of the poem, and in (crying) we find generosity, downpour, flux, wailing, assonance, and shouting, and in the (tears) we find it indefinite adjective preparing to multiply it and restrict it with descriptions which increases it's repetition and pouring in conjunction with images of the water and the bucket and pearls in it's regularity and disintegration. As for (Sakhr), he is conjunct with a variety of unlimited flowing characters in different rhymes of a Subject, or an Object with it's resembled adjective, and it's exaggeration, it also continues the same repeating characteristic in the image, rhythms and rhymes levels, and some of the letters as detailed and monitored in the research, which makes the rhythmic repeatition as the favourite style tool for the poetic building in the divan of al- Khansa. [ABSTRACT FROM AUTHOR]

Copyright of Journal of The Iraqi University is the property of Republic of Iraq Ministry of Higher Education & Scientific Research (MOHESR) and its content may not be copied or emailed to multiple sites or posted to a listserv without the copyright holder's express written permission. However, users may print, download, or email articles for individual use. This abstract may be abridged. No warranty is given about the accuracy of the copy. Users should refer to the original published version of the material for the full abstract. (Copyright applies to all Abstracts.)