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The Iraqi plastic movement began since the first half of the twentieth century, that is, nearly a hundred years ago. It passed through different stages and harbingers that changed its paths and the visions of the artists working from the generations of the last century. Therefore, the problem of tabulating and documenting these experiences and artistic uses that witnessed various political, unanimous and economic fluctuations during The recent decades, which constituted pressing and influencing factors on the human level and on the artistic achievement that expresses the concerns, alienation and suffering of the Iraqi plastic artist, and the loss of an important part of the formal aspect of the artistic image expressing the history and civilization of Iraq and the culture of its people, as well as the loss of much of the documentary aspect of that stage and a painful example of that It is the violation of the Museum of Arts during the American occupation in 2003 AD, and not long ago these pressures formed on the structure of the social and cultural stability of the country, which prompted many artists to migrate outside Iraq, causing the loss of an important part of the link between the generation of pioneers and the generations that follow, including some names The task from this stage is Salah Jiyad, Faisal Laibi, Noman Hadi, Ghassan Faydi, Karim Al-Asadi, Kazem Khalifa, Muhammad Faradi, Ali Fanjan, and others; Although the artistic style of these artists at this stage was clearly influenced by the methods of the pioneers, the impact of alienation and the influence of social culture and the Western environment was evident in those works later, and this does not mean that they left their Iraqi environment at all, but rather you find that their adherence to the civilization of Iraq In their different Sumerian, Babylonian, and Assyrian forms, it is clear with clarity, and evidence can be found for their adherence to their original Iraqi roots, noting the influence of the Western environment on the expressive and formal image of their works, which calls for this paradox for study and analysis. Our research deals with one of the expatriate artists, Noman Hadi, who grew up in a stage in the middle of the history of the plastic movement, a member of the group of academics from the generation of the seventies, and through him we review the following question. What are the stylistic features in Noman Hadi's work?

Wind energy represents one of the most important renewable energy resources that can support electrical power systems. Behaviour of wind turbines following contingencies may deteriorate system stability. This requires an extensive analysis of the possible effect of wind energy on the entire power system performance. This paper investigates the effect of wind energy on power system dynamic response. This is achieved by replacing conventional generators gradually by wind turbine (WT). Also, the optimal location of WT has been determined by checking influence on steady state operation. In addition, the effect on total fuel cost is considered to determine the optimal location of WT. The IEEE 30-bus system is used during the study. The results indicate that the system stability is enhanced in most cases with integrating wind energy into power system. The results can provide a scope for future planning and expansion in electric power systems.

This paper introduces a method to improve the performance of power systems using demand side management to overcome the problems of increasing load demand. Defining suitable demand reduction levels can cause a significant enhancement for the entire network. Therefore, the sensitivity factors related to each load centre are defined to rank the load centres according to their priority. According to these factors, the best required load reduction can be obtained at each load centre. The recommended reduction level has to ensure overcoming the problems associated with the voltage profile and transmission lines overloading due to the increase in load demand. The IEEE 30 bus system is used to highlight the demand-side management strategy under different loading conditions. Some simulation results are introduced to show the importance of considering the sensitivity of load centres when defining the reduction levels at each load centre. The recommended demand side management is compared with the load shedding technique as an emergency action to avoid the problems of line violation and to keep the system stable and secure. According to the obtained results, considerable improvement is achieved in the voltage profile, the network efficiency and power loss without the need for the load shedding. These results encourage the implementation of the introduced technique considering sensitivity of load centres in smart grid environment

archaeological excavations Revealed at the site of Al-welayia hill site, carried out by the General Authority for Antiquities and Heritage, starting in 1999 until 2002, as many archaeological finds job, dating back to the eras of different historical, and was among those finds seals flat on topics technicaldifferent. In this paper we dealt with the study of four seals flat unpublished dating back to the era of Jimdaa Nasr (3000 - 2900 BC)., As the focus of this research on the technology industry, and their style and advantages of art, as well as describe and analyze and determine its time, has already been described and analyzed seals mention No. each seal in the Iraqi Museum, number in the fossil record things that belong to the Exploration mission , and where to find them and measurements, as well as the material used in the industry and color, has the right to search images of seals and editions on clay pieces.